SII 13.294: original edition by G.V. Srinivasa Rao – No. 294. (A.R. No. 260 of 1921.) TAKKŌLAM, ARKONAM TALUK, NORTH ARCOT DISTRICT. ON THE SOUTH WALL OF THE CENTRAL SHRINE, JALANĀTHĒŚVARA TEMPLE.

Editor: Emmanuel Francis.

Identifier: DHARMA_INSSIIv13p0i0294.

Summary: The beginnings of lines of this inscription are built in. This records an agreement by the sabhā of Aparājita-chaturvēdimaṅgalam (evidently the ancient name of Takkōlam), to burn a perpetual lamp in the temple of Tiruvūṟaṟkaṟṟaḷi-Mahādēva for 30 kaḻañju received by them. The name of the donor is lost. This seems to be a record of Āditya I who is known from the Tiruvālaṅgāḍu Plates to have wrested the Toṇḍai-nāḍu from the Pallava Aparājitavarman (S.I.I., III, p. 386).

Hand description:

Language: Tamil.

Repository: South Indian Inscriptions (Original Edition) (south-indian-inscriptions).

Version: 2025-06-02 23:41 (8740be6), last modified 2025-05-31 11:31 (7936bcd).

⟨1⟩ [5+] [rāja]kecaripanma⟨ṟ⟩ku yāṇṭu Irupatto⟨2⟩n [4+] ṟapuṟattu Aparācitaccaturve⟨3⟩[6+] bhaiyoṅ kaiyyeḻuttu na ⟨4⟩ [6+] yār kaiyāli yāṅkaḷ koṇ⟨5⟩[8+] muppatiṉ kaḻañcu Ippoṉ⟨6⟩[7+] ruvūṟṟa kaṟṟaḷimah¿a?⟨ā⟩devarkku nan=tāvi⟨7⟩[8+] taruḷḷaḷavum nicati Uḻakkeṇṇai muṭ⟨8⟩[7+] m Itaṟṟiṟampil dharmmāsaṉattu nica⟨9⟩[7+] paṭuvomāṉōm Ittaṇṭam paṭ ⟨10⟩ [7+] ḻak keṇṇaiyu muṭṭā(m)e ⟨11⟩ [7+] m sabhaiyom [||]

Bibliography

Digital edition of SII 13.294 by Srinivasa Rao 1952 converted to DHARMA conventions by Emmanuel Francis.

Primary

[SII] Srinivasa Rao, G.V. 1952. South-Indian inscriptions (texts) (with introductory notes in English). Volume XIII: The Cholas. South Indian Inscriptions 13. Madras: Archaeological Survey of India. Pages 156–157, item 294.

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<title>SII 13.294: original edition by G.V. Srinivasa Rao</title>

<title type="alt">No. 294. (A.R. No. 260 of 1921.) TAKKŌLAM, ARKONAM TALUK, NORTH ARCOT DISTRICT. ON THE SOUTH WALL OF THE CENTRAL SHRINE, JALANĀTHĒŚVARA TEMPLE.</title>

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<p>The beginnings of lines of this inscription are built in. This records an agreement by the <hi rend="italic">sabhā</hi> of <hi rend="bold">Aparājita-chaturvēdimaṅgalam</hi> (evidently the ancient name of Takkōlam), to burn a perpetual lamp in the temple of Tiruvūṟaṟkaṟṟaḷi-Mahādēva for 30 <hi rend="italic">kaḻañju</hi> received by them. The name of the donor is lost. This seems to be a record of <hi rend="bold">Āditya I</hi> who is known from the <hi rend="italic">Tiruvālaṅgāḍu Plates</hi> to have wrested the Toṇḍai-nāḍu from the Pallava Aparājitavarman (<hi rend="italic">S.I.I.</hi>, III, p. 386). </p>

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<lb n="1"/><gap reason="lost" quantity="5" unit="character"/> [rā<hi rend="grantha">ja</hi>]kecaripa<hi rend="grantha">nma</hi><supplied reason="omitted">ṟ</supplied>ku yāṇṭu Irupatto

<lb n="2" break="no"/>n <gap reason="lost" quantity="4" unit="character"/> ṟapuṟattu Aparācitaccatu<hi rend="grantha">rve</hi>

<lb n="3" break="no"/><gap reason="lost" quantity="6" unit="character"/> <hi rend="grantha">bhai</hi>yoṅ kaiyyeḻuttu na

<lb n="4"/><gap reason="lost" quantity="6" unit="character"/> yār kaiyāli yāṅkaḷ koṇ

<lb n="5" break="no"/><gap reason="lost" quantity="8" unit="character"/> muppatiṉ kaḻañcu Ippoṉ

<lb n="6" break="no"/><gap reason="lost" quantity="7" unit="character"/> ruvūṟṟa kaṟṟaḷima<hi rend="grantha">h<choice><sic>a</sic><corr>ā</corr></choice>de</hi>varkku nan=tāvi<hi rend="grantha"/>

<lb n="7" break="no"/><gap reason="lost" quantity="8" unit="character"/> taruḷḷaḷavum nicati Uḻakkeṇṇai muṭ

<lb n="8" break="no"/><gap reason="lost" quantity="7" unit="character"/> m Itaṟṟiṟampil <hi rend="grantha">dharmmāsa</hi>ṉattu nica

<lb n="9" break="no"/><gap reason="lost" quantity="7" unit="character"/> paṭuvomāṉōm Ittaṇṭam paṭ

<lb n="10"/><gap reason="lost" quantity="7" unit="character"/> ḻak keṇṇaiyu muṭṭā<unclear>m</unclear>e

<lb n="11"/><gap reason="lost" quantity="7" unit="character"/> m <hi rend="grantha">sabhai</hi>yom <supplied reason="undefined"><g type="ddanda">.</g></supplied>

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<p>Digital edition of SII 13.294 by <bibl><ptr target="bib:SrinivasaRao1952_01"/></bibl> converted to DHARMA conventions by Emmanuel Francis.</p>

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