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· <title>Kawali 5</title>
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· <resp key="creator">intellectual authorship of edition</resp>
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· <name>Aditia Gunawan</name>
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55 <p>Encoded in TEI/EpiDoc according to the <ref target="https://hal.science/halshs-02888186">DHARMA Encoding Guide for Documentary Editions, version 2</ref></p>
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· <lb n="1"/>saṁ hyiṁ liṁga
· <lb n="2"/>biṁba
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· <div type="translation" resp="part:adgu part:argr">
· <p>The sacred <foreign>liṅga</foreign> of Bingba (or Bimba).</p>
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85 <p>Titi Surti Nastiti reads biŋba and in her translation indicates <q>Bingba (= Arca)</q>, which implies that she sees a connection with the Sanskrit word <foreign>bimba</foreign> <q>image</q>. This raises questions both about the meaning of <foreign>liṅga</foreign>, and about the history of usage of the <foreign>panyecek</foreign>, which would thus stand for /m/ (rather than usual /ŋ/). It is interesting to note the meanings of <foreign>hyaṁ</foreign> <q>ancestor</q> and <foreign>biṁba</foreign> <q>image</q> in <ref target="DHARMA_INSIDENKKawali_4.xml">Kawali 4</ref> and <ref target="DHARMA_INSIDENKKawali_5.xml">Kawali 5</ref>. One may wonder whether the difference between ancestors and ‘Hindu’ gods is relevant here, in which case each liṅga would have been used for worship of a specific type of deity. </p>
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· <bibl><ptr target="bib:RichadianaKartakusuma2005_01"/></bibl>
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Commentary
Titi Surti Nastiti reads biŋba and in her translation indicates “Bingba (= Arca)”, which implies that she sees a connection with the Sanskrit word bimba “image”. This raises questions both about the meaning of liṅga, and about the history of usage of the panyecek, which would thus stand for /m/ (rather than usual /ŋ/). It is interesting to note the meanings of hyaṁ “ancestor” and biṁba “image” in Kawali 4 and Kawali 5. One may wonder whether the difference between ancestors and ‘Hindu’ gods is relevant here, in which case each liṅga would have been used for worship of a specific type of deity.