Cīrkāḻi, Brahmapurīśvara, fragment, no king, no year
Version: (379f6ba), last modified (379f6ba).
Edition
⟨1⟩ Āḷuṭaiya-piḷḷaiyār pacāna-t tiruppu putiyutu tiru-p-pāvā
⟨2⟩ ṭay-āka Amutu ceyt-aruḷi śrī-māheśvarkkum tāṉattārkkum [li]
⟨3⟩ rumuṉappukkam-āka Āyiram maṭakkil Iṭṭu prasātikka pōṉaka-p
⟨4⟩ paḻa Arici paṉṉ-iru-kalattukkum Itukku vēṇṭuṅ kaṟi-y-amu[tu]
⟨5⟩ [vi]ñcaṉattukkum tēvai ce¡vv!ārkku vēṇṭuvaṉa vayi[ṟṟu]
⟨6⟩ koṇṭu celutta tiru-nāmattu-kāṇi-y-āka kollikuṟump-uṭai[ya]
⟨7⟩ [ā]ṇṭār celvamalku pakal pōlum pēr-oḷi-y-āka kācu tantu [n]
⟨8⟩ [ē] c[e]mpiyan paṇa-maṅkalattu piṟinta vikkirama-cōḻa-k-kollai
⟨9⟩ [āraiyil i]ṟai-mikuti [koṇṭu Ip-paṭi cantirātitta-val]
Bibliography
Reported in ARIE 1918–19 (ARIE/1918-1919/B/1918/384).
Edited in Veluppillai 2013 (CEC 48), based on autopsy, photos (U. Veluppillai) and ASI transcript (consulted in Mysore).
This edition by Uthaya Veluppillai (2024). Curated by Emmanuel Francis.
Primary
[UV] Veluppillai, Uthaya. 2013. “Cikāḻi : hymnes, héros, histoire. Rayonnement d’un lieu saint shivaïte au Pays Tamoul.” These de doctorat, Paris 3. Paris. [URL]. Pages 340–341, item 48.
Secondary
ARIE 1918–19. G.O. No. 1003, 16th August 1919. Epigraphy. Recording, with remarks, the progress report of the Assistant Archaeological Superintendent for epigraphy, Southern Circle, for the year 1918-1919. Edited by H. Krishna Sastri. No place, 1919. Page 33, appendix B/1918, item 384.
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Āḷuṭaiya-piḷḷaiyār pacāna-t tiruppu putiyutu tiru-p-pāvā
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ṭay-āka Amutu ceyt-aruḷi <hi rend="grantha">śrī</hi>-mā<hi rend="grantha">heśva</hi>rkkum tāṉattārkkum <supplied reason="lost">li</supplied><!--EF:??? see photo-->
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rumuṉappukkam-āka<!--EF: change to ru-muṉ vaḷakkam-āka; see photo--> Āyiram maṭakkil Iṭṭu <hi rend="grantha">prasā</hi>tikka pōṉaka-p
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<p>Reported in <bibl><ptr target="bib:ARIE1918-1919"/></bibl> (ARIE/1918-1919/B/1918/384).</p>
<p>Edited in <bibl><ptr target="bib:Veluppillai2013_01"/></bibl> (CEC 48), based on autopsy, photos (U. Veluppillai) and ASI transcript (consulted in Mysore).</p>
<p>This edition by Uthaya Veluppillai (2024). Curated by Emmanuel Francis.</p>
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