Section I. No. 1. (C.P. No. 3 of 1915-1916). ŌṀGŌḌU GRANT OF VIJAYA-SKANDAVARMAN (II): 33RD YEAR.

Author of digital edition: Emmanuel Francis (emfr).

Summary: This Sanskrit charter issued by the king Mahārāja Vijaya-Skandavarman, on the 13th day of the third fortnight of winter in the 33rd year, from the royal camp Tāmbrāpa, registers the grant of the village Ōṁgōḍu-grāma in the Karmmā-rāshṭra as a sāttvika-gift (i.e. without any motive) to Gōlaśarman of the Kāśyapa-gōtra, a student of two Vēdas and well versed in the six Aṅgas. The king’s genealogy is traced from his great-grandfather Kumāravishṇu whose son and grandson were Skandavarman and Vīravarman respectively.

Language: Undetermined (und).

Version: 2025-09-06 17:54 (2ce46a2), last modified 2025-07-03 14:51 (0ec4724).

Commentary

Published in Epigraphia Indica, Vol. XV, pp. 251 ff.

Bibliography

Digital edition of SII 12.1 by Venkatasubba Ayyar 1943 converted to DHARMA conventions by Emmanuel Francis.

Primary

[SII] Venkatasubba Ayyar, V. 1943. South Indian inscriptions. Volume XII: The Pallavas (with introductory notes in English). South Indian Inscriptions 12. Madras: Government Press. Page 1, item 1.

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<p>This Sanskrit charter issued by the king <hi rend="bold">Mahārāja Vijaya-Skandavarman,</hi> on the 13th day of the third fortnight of winter in the <hi rend="bold">33rd year,</hi> from the royal camp <hi rend="bold">Tāmbrāpa,</hi> registers the grant of the village <hi rend="bold">Ōṁgōḍu-grāma</hi> in the Karmmā-rāshṭra as a <hi rend="italic">sāttvika</hi>-gift (i.e. without any motive) to Gōlaśarman of the Kāśyapa-gōtra, a student of two Vēdas and well versed in the six <hi rend="italic">Aṅgas.</hi> The king's genealogy is traced from his great-grandfather Kumāravishṇu whose son and grandson were Skandavarman and Vīravarman respectively.</p>

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<p>Published in <hi rend="italic">Epigraphia Indica,</hi> Vol. XV, pp. 251 ff.</p>

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<p>Digital edition of SII 12.1 by <bibl><ptr target="bib:VenkatasubbaAyyar1943_01"/></bibl> converted to DHARMA conventions by Emmanuel Francis.</p>

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