1<?xml version="1.0" encoding="UTF-8"?>
·<?xml-model href="https://raw.githubusercontent.com/erc-dharma/project-documentation/master/schema/latest/DHARMA_Schema.rng" type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?>
·<?xml-model href="https://raw.githubusercontent.com/erc-dharma/project-documentation/master/schema/latest/DHARMA_Schema.rng" type="application/xml" schematypens="http://purl.oclc.org/dsdl/schematron"?>
·<?xml-model href="https://raw.githubusercontent.com/erc-dharma/project-documentation/master/schema/latest/DHARMA_SQF.sch" type="application/xml" schematypens="http://purl.oclc.org/dsdl/schematron"?>
5<?xml-model href="https://epidoc.stoa.org/schema/latest/tei-epidoc.rng" schematypens="http://relaxng.org/ns/structure/1.0"?>
·<?xml-model href="https://epidoc.stoa.org/schema/latest/tei-epidoc.rng" schematypens="http://purl.oclc.org/dsdl/schematron"?>
·<TEI xmlns="http://www.tei-c.org/ns/1.0" xml:lang="eng">
· <teiHeader>
· <fileDesc>
10 <titleStmt>
· <title>Nākappaṭṭiṉam, bronze label</title>
· <respStmt>
· <resp key="creator">author of digital edition</resp>
· <persName ref="part:emfr">
15 <forename>Emmanuel</forename>
· <surname>Francis</surname>
· </persName>
· </respStmt>
· <funder>European Research Council (ERC), grant agreement no 809994</funder></titleStmt>
20 <publicationStmt>
· <authority><ref target="https://dharmalekha.info">DHARMA</ref></authority>
· <pubPlace>Paris</pubPlace>
· <idno type="filename">DHARMA_INSTamilNadu00302.xml</idno>
· <availability><licence target="https://creativecommons.org/licenses/by-sa/4.0/">CC BY-SA 4.0</licence></availability>
25 <date from="2019" to="2026">2019-2026</date>
· </publicationStmt>
· <sourceDesc>
· <msDesc>
· <msIdentifier>
30 <repository>DHARMAbase</repository>
· <idno/>
· </msIdentifier>
· <msContents>
· <summary>Label on a Buddhist bronze.</summary>
35 </msContents>
· <physDesc>
· <handDesc>
· <p/>
· </handDesc>
40 </physDesc>
· </msDesc>
· </sourceDesc>
· </fileDesc>
· <encodingDesc>
45 <p>Encoded in TEI/EpiDoc according to the <ref target="https://hal.science/halshs-02888186">DHARMA Encoding Guide for Documentary Editions, version 2</ref></p>
· </encodingDesc>
· <revisionDesc>
· <change who="part:emfr" when="2024-04-28">Creation of the file</change>
· </revisionDesc>
50 </teiHeader>
· <text xml:space="preserve">
·
·<body>
·
55<div type="edition" xml:lang="tam-Latn" rendition="class:tamil maturity:83215">
·
· <p>
· <lb n="1"/>tiru-Araṅka-nāyakar</p>
·
60</div>
·
·<div type="apparatus">
· <listApp>
·
65 <app loc="1">
· <lem>tiru-Araṅka-nāyakar</lem>
· <rdg source="bib:Ramachandran1954_01">tiru Araṅka nāyakar</rdg>
· </app>
·
70 </listApp>
·</div>
·
·<div type="translation" source="bib:Ramachandran1954_01">
·
75 <p n="1">The Nāyaka <supplied reason="explanation">Buddha</supplied>, the lord of Buddhist forum of theological debate.<note>Cf. Madurai <foreign>Śaṅgappalagai</foreign>.</note></p>
·
·</div>
·<div type="translation" resp="part:emfr">
·
80 <p n="1">The glorious Lord <supplied reason="subaudible">of</supplied> the stage <supplied reason="explanation"><foreign>araṅkam</foreign><note>That is, Sanskrit <foreign>raṅga</foreign>.</note></supplied>.</p>
·
· </div>
·
·<div type="commentary">
85 <p>The suggestion by <bibl><ptr target="bib:Ramachandran1954_01"/></bibl> that the Buddha is here <quote>the lord of Buddhist forum of theological debate</quote> with reference to the Maturai <foreign>caṅkappalakai</foreign><note>See MTL, s.v. <foreign>caṅkappalakai</foreign>: <quote>Miraculous seat capable of accommodating only deserving scholars, believed to have been granted by Śiva at Madurai to the Sangam poets.</quote></note> appears far-fetched. It seems that the Buddha is presented here as a rival of Viṣṇu, known as Raṅganātha, “the Lord of the stage,” in his famous temple on the Śrīraṅga island at Trichy.</p>
· <p>For the same label, with a variant spelling, on another Buddhist bronze from Nākappaṭṭiṉam, see <ref target="DHARMA_INSTamilNadu00381.xml">Tamil Nadu 381</ref>.</p>
·</div>
·
·<div type="bibliography">
90
· <p>Edited in <bibl><ptr target="bib:Ramachandran1954_01"/></bibl>, with a facsimile (p. 90 and pl. XXIV, no. 2). See also <bibl><ptr target="bib:Ramachandran1965_01"/></bibl>, <bibl><ptr target="bib:Ramachandran1992_01"/></bibl>, <bibl><ptr target="bib:Ramachandran2005_01"/></bibl> (p. 106 and pl. III, no. 2).</p>
· <p>Edited and translated here by Emmanuel Francis (2024), based on <bibl><ptr target="bib:Ramachandran1954_01"/></bibl> and the facsimile therein.</p>
·
· <listBibl type="primary">
95
· <bibl n="R1954">
· <ptr target="bib:Ramachandran1954_01"/>
· <citedRange unit="page">90</citedRange>
· </bibl>
100
· <bibl n="R1965">
· <ptr target="bib:Ramachandran1965_01"/>
· </bibl>
·
105 <bibl n="R1992">
· <ptr target="bib:Ramachandran1992_01"/>
· </bibl>
·
· <bibl n="R2005">
110 <ptr target="bib:Ramachandran2005_01"/>
· </bibl>
·
· </listBibl>
·
115
·
·</div>
· </body>
· </text>
120</TEI>
Commentary
The suggestion by Ramachandran 1954 that the Buddha is here “the lord of Buddhist forum of theological debate” with reference to the Maturai caṅkappalakai3 appears far-fetched. It seems that the Buddha is presented here as a rival of Viṣṇu, known as Raṅganātha, “the Lord of the stage,” in his famous temple on the Śrīraṅga island at Trichy.
For the same label, with a variant spelling, on another Buddhist bronze from Nākappaṭṭiṉam, see Tamil Nadu 381.