Nalanda Intact Seal Inscription of Śarvavarman

Author of digital edition: Dániel Balogh (daba).

Language: Sanskrit (san).

Version: 2025-06-11 08:35 (914ca07), last modified 2025-06-11 08:35 (914ca07).

Edition

⟨1⟩ catus-samudrātikkrānta-kīrttiḥ pratāpānurāgopanatānya-rāj¿ā? varṇṇāśrama-vyavastḥĀ-
⟨2⟩ pana-pravr̥tta-cakkraś cakkradhara Iva prajānām artti-hara⟨ḥ⟩ śr¿i?-mahārāja-harivarmmā tasya
⟨3⟩ puttras tat-pādānuddhy[ā]to jayasvāminī-bhaṭṭārikā-devyām utpannaḥ śrī-mahārāj-ādityava-
⟨4⟩ rmmā tasya puttras tat-p[ā]dānuddhyāto harṣaguptā-bhaṭṭārikā-devyām utpannaḥ śrī-mahārā-
⟨5⟩ jeśvaravarmmā tasya puttras tat-pādānuddhyāta Upaguptā-bhaṭṭārikā-devyām utpanno
⟨6⟩ mah(ā)rājādhirāja-śr¿i?-īśāna-varmmā tasya puttras tat-pādānuddhyāto lakṣmīva-
⟨7⟩ tī-bhaṭṭārikā-mahādevyām utpannaḥ parama-māheśvaro ma-
⟨8⟩ hārājādhirāja-śrī-śarvvavarmmā maukhariḥ

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<p><lb n="1"/>catus-samudrātikkrānta-kīrttiḥ pratāpānurāgopanatānya-rāj<choice><sic>ā</sic><corr>o</corr></choice>

varṇṇāśrama-vyavastḥĀ<lb n="2" break="no"/>pana-pravr̥tta-cakkraś cakkradhara Iva prajānām artti-hara<supplied reason="omitted">ḥ</supplied> śr<choice><sic>i</sic><corr>ī</corr></choice>-mahārāja-harivarmmā tasya <lb n="3"/>puttras tat-pādānuddhy<supplied reason="lost">ā</supplied>to jayasvāminī-bhaṭṭārikā-devyām utpannaḥ

śrī-mahārāj-ādityava<lb n="4" break="no"/>rmmā tasya puttras tat-p<supplied reason="lost">ā</supplied>dānuddhyāto harṣaguptā-bhaṭṭārikā-devyām utpannaḥ śrī-mahārā<lb n="5" break="no"/>jeśvaravarmmā tasya puttras tat-pādānuddhyāta Upaguptā-bhaṭṭārikā-devyām utpanno <lb n="6"/>mah<unclear>ā</unclear>rājādhirāja-śr<choice><sic>i</sic><corr>ī</corr></choice>-īśāna-varmmā tasya puttras tat-pādānuddhyāto lakṣmīva<lb n="7" break="no"/>tī-bhaṭṭārikā-mahādevyām utpannaḥ parama-māheśvaro ma<lb n="8" break="no"/>hārājādhirāja-śrī-śarvvavarmmā maukhariḥ<!--

In tatpādānuddhyāta in line 4 Sastri says the ā of tpā is "obliterated". There is no trace whatsoever visible of an ā mātrā here, though the mātrā is clear in the Asirgadh seal.

--><!--

The ā of mahā in l6 is "not to be seen" according to Sastri; I believe there is an ā mātrā both here and on the Asirgadh drawing, but it's a plain horizontal one with a downward hook rather than an ornate erect mātrā.

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