Peruṅkāṭṭu grant, Śaka year 1589

Editor: Margherita Trento.

Identifier: DHARMA_INSTiruvavatuturai00018.

Summary: This plate records an endowment made by Cuppiramaṇiya Tirumalai Cētupati Rakunāta to Ampalattāṭum paṇṭāram for performing pūja in Avudaiyarkoil to honor his ancestors and Tirumalai Nāyakkar.

Hand description:

Languages: Sanskrit, Tamil.

Repository: Tiruvāvaṭutuṟai (tfa-tiruvavatuturai-TN-epigraphy).

Version: 2025-06-20 14:31 (3254e93), last modified 2025-06-20 13:32 (a6264c2).

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⟨10v=48⟩ ...Inta-t taṟma⟨11v=49⟩ttai yātām oruvar paripālaṉam paṇ⟨12v=50⟩ṇiṉa pērkaḷ cētuk karaiyilum keṅkai ⟨13v=51⟩ k-karaiyilum Āneka civaliṅka-p piṟatiṭṭai⟨14v=52⟩yum kō-tāṉa pū-tāṉaṅkaḷaiyum paṇṇiṉa ⟨15v=53⟩ puṇṇiyattai yaṭaiyak kaṭavār ākavum ⟨16v=54⟩ Inta ‌taṟmattukku Akitam ‌paṇṇiṉa pēr ⟨17v=55⟩ kaḷ mātā pitāvaiyum kuruvaiyum kārā ⟨18v=56⟩ m ‌pacuvaiyum koṉṟatu tōṣattilē pō ⟨19v=57⟩ ka-k kaṭavār ākavum ௳

I. Anuṣṭubh

⟨20v=58⟩ dānapālanayōr mmaddhyē

dānā ⟨21v=59⟩ t cchreyo ’nupālanam· |

dānāt· sva ⟨22v=60⟩ rgam avāpnōti

pālanād acyuta ⟨22v=61⟩ m· padam· || ௳

Translation by Margherita Trento

(1–2) ....

Bibliography

Reported in ARIE 1986-1987 (ARIE/1986-1987/A/1986-1987/29).

Edited in Kiruṣṇamūrtti 2000 (no. 20). This edition is not taken systematically into account since the editor regularly adapts Sanskrit words to Tamil spelling.

This edition is by Margherita Trento (2025), based on EFEO photographs (2015).

Primary

[K] Kiruṣṇamūrtti, Ca. 2000. Tiruvāvaṭutuṟai ātīṉac ceppēṭu. Citamparam: Ā. Uṇṇāmalai. Pages 89–91, item 20.

Secondary

ARIE 1986-1987. Annual report on Indian epigraphy for 1986-87. Edited by Madhav N. Katti. New Delhi: Archaeological Survey of India, 1998. Page 21, item 29.

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<p>Reported in <bibl><ptr target="bib:ARIE1986-1987"/></bibl> (ARIE/1986-1987/A/1986-1987/29).</p>

<p>Edited in <bibl><ptr target="bib:Kirusnamurtti2000_01"/></bibl> (no. 20). This edition is not taken systematically into account since the editor regularly adapts Sanskrit words to Tamil spelling.</p>

<p>This edition is by Margherita Trento (2025), based on EFEO photographs (2015).

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