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· <title>Nākappaṭṭiṉam, bronze label</title>
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15 <forename>Emmanuel</forename>
· <surname>Francis</surname>
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· <funder>European Research Council (ERC), grant agreement no 809994</funder></titleStmt>
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· <summary>Label on a Buddhist bronze.</summary>
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· <lb n="1"/>tiru-v-uṭai<unclear reason="eccentric_ductus">y</unclear>ār Ammai A
· <lb n="2" break="no"/>kaḷaṅka-<add place="above">p</add>-perumāḷ
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65
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70
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75<div type="translation" source="bib:Ramachandran1954_01">
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· <p n="1-2">The Great Being Akaḷaṅka, who is both mother and father of the world.</p>
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80
·<div type="translation" resp="part:emfr">
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· <p n="1-2">The Lord <supplied reason="explanation"><foreign>perumāḷ</foreign></supplied> Akaḷaṅka<note>Literally: "the Stainless One," a name of the Buddha.</note>, the mother / the beauty. <supplied reason="explanation"><foreign>ammai</foreign></supplied>, the glorious Lord / the Lord of Fortune.</p>
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85 </div>
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· <p><bibl><ptr target="bib:Ramachandran1954_01"/></bibl> comments thus: <quote>Akalaṅka is the Buddha. The concept that he is both father and mother is worth comparing with Kālidāsa's <foreign>jagataḥ pitarau</foreign> in the <foreign>Raghuvaṁśa</foreign>. This inscription is great importance to our study of the Buddhism that flourished in Nākappaṭṭiṉam or South India in about the 14th and 15th centuries A.D. The
·record is a praise of the Buddha, as Akalaṅka, father and mother of the world. The image according to the donor's devotion and prayer stands for the Buddha.</quote></p>
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· <p>Edited in <bibl><ptr target="bib:Ramachandran1954_01"/></bibl>, with a facsimile.</p>
95 <p>Edited and translated here by Emmanuel Francis (2024), based on <bibl><ptr target="bib:Ramachandran1954_01"/></bibl> and the facsimile therein.</p>
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Commentary
Ramachandran 1954 comments thus: “Akalaṅka is the Buddha. The concept that he is both father and mother is worth comparing with Kālidāsa’s jagataḥ pitarau in the Raghuvaṁśa. This inscription is great importance to our study of the Buddhism that flourished in Nākappaṭṭiṉam or South India in about the 14th and 15th centuries A.D. The record is a praise of the Buddha, as Akalaṅka, father and mother of the world. The image according to the donor’s devotion and prayer stands for the Buddha.”