Tiruviṭaivācal, Puṇyanāthasvāmin, no king, no year

Editors: T.G. Aravamuthan, Renato Dávalos, Emmanuel Francis.

Identifier: DHARMA_INSTamilNadu00026.

Summary: A patikam of eleven stanzas by Tiruñāṉa Campantar in praise of the sacred Viṭaivāy (Tiruviṭaivācal). This hymn is not attested in the manuscripts of the Tēvāram, but has been included in the modern printed editions (Tēvāram 3.126).

Language: Tamil.

Repository: Tamil Nadu (varia) (tfa-tamilnadu-epigraphy).

Version: 2024-09-10 18:19 (f8dc812), last modified 2024-08-05 19:17 (bee907d).

I. kaliviruttam

⟨1⟩ maṟi y-ār-karatt’ entai y-am-māt’ umaiyōṭum

piṟiyāta pe⟨2⟩mmā¡n!⟨ṉ⟩ Uṟaiyum Iṭam e¡n!⟨ṉ⟩par

poṟi vāy vari vaṇṭu ta¡n!⟨ṉ⟩ pūm pe⟨3⟩ṭai pulki

veṟi y-ār-malariṟ ṟuyilum viṭaivāyē ~

II. kaliviruttam

Ovvāta v-e⟨4⟩¡n!⟨ṉ⟩pē y-iḻaiyā v-oḷi meḷali-c

cevvā¡n!⟨ṉ⟩ mati vai⟨⟨t⟩⟩tavar cērv’ iṭam e¡n!⟨ṉ⟩⟨5⟩par

Evvāyilum ¿E?⟨Ē⟩ṭ’ alar kōṭal am-pōtu

ve⟨⟨v⟩⟩-vāy aravam malarum viṭai⟨6⟩vāyē ~

III. kaliviruttam

karai y-ār kaṭal nañc’ amut’ uṇṭavar kaṅkai-t

tirai y-ār caṭai-t⟨7⟩tīvaṇṇar cērv’ iṭam e¡n!⟨ṉ⟩par

kurai y-ār maṇiyuṅ kuḷir cantamum koṇ⟨8⟩ṭu

virai y-ār pu¡n!⟨ṉ⟩al vant’ iḻiyum viṭaivāyē ~

IV. kaliviruttam

cūca-t taḻal pōla ⟨9⟩ viḻiyā varu cūṟṟai-p

pācattoṭum vīḻa Utaittavar paṟṟ’ ām

vāca-k ⟨10⟩ katir-c cāli veṇ-cāmaraiyē pōl

vīca-k kaḷi A¡nn!⟨ṉṉ⟩a malkum viṭai⟨11⟩vāyē ~

V. kaliviruttam

tiriyum pura-mūnṟaiyum centaḻal uṇṇā

E⟨12⟩ri y-amp’ eyta kuṉṟa villi Iṭam e¡n!⟨ṉ⟩par

kiriyun taru māḷikai-c ⟨⟨cūḻi⟩⟩⟨13⟩kaita¡n!⟨ṉ⟩ mēl

viriyuṅ koṭi vā¡n!⟨ṉ⟩ viḷicey viṭaivāyē 5

VI. kaliviruttam

⟨14⟩ kiḷḷai moḻiyāḷai Ikaḻnatava¡n!⟨ṉ⟩ muttī-t

taḷḷi-t talai takkaṉai⟨15⟩-k koṇṭavar cārv’ ām

vaḷḷi maruṅkul neruṅkum mulai-c cevvā⟨16⟩y

veḷḷai ¡nn!⟨n⟩akaiyār naṭañcey viṭaivāyē 6

VII. kaliviruttam

pātatt’ oli pāriṭam pāṭa naṭañcey

⟨17⟩ nātatt’ oliyar navilu¡mm!⟨m⟩ iṭam e¡n!⟨ṉ⟩par

kītatt’ oliyum keḻu⟨18⟩mum muḻavoṭu

vētatt’ oliyum payilum viṭaivāyē 7

VIII. kaliviruttam

Eṇṇāta v-arakka¡n!⟨ṉ⟩ Urattai nerit⟨19⟩tu-p

paṇ-ṇ ārtaru pāṭal ukantavar paṟṟ’ ām

kaṇ ār viḻaviṟ kaṭivītikaḷ tōṟum

viṇṇōrkaḷum ⟨20⟩ vant’ iṟaiñcum viṭaivāyē 8

IX. kaliviruttam

puḷ vāy piḷantā¡n!⟨ṉ⟩ Aya¡n!⟨ṉ⟩ pū-muṭi pātam

Oḷvānilan tēṭum Oru⟨21⟩vaṟk’ iṭam ām

teḷ vār punaṟ ceṅkaḻunīr mukai ta¡nn!⟨ṉṉ⟩il

viḷ vāy naṟav’ uṇṭu vaṇṭ’ ār-viṭaivāyē 9

X. kaliviruttam

⟨22⟩ Uṭai y-ētum ilār tuvār āṭai Uṭuppōr

kiṭaiyā neṟiyān keḻum¿i?⟨u⟩¡mm!⟨m⟩ iṭam e¡n!⟨ṉ⟩par

Aṭaiyār pura⟨23⟩m vēva mūvaṟk’ aruḷ ceyta

viṭai y-ār-koṭiyā¡n!⟨ṉ⟩ aḻak’ ār-viṭaivāyē 10

XI. kaliviruttam

Āṟum matiyum poti vēṇiya⟨24⟩ṉ ūr ām

āṟ’ il peruñ celva mali viṭai vāyai

nāṟum poḻiṟ kāḻiyar ñā¡n!⟨ṉ⟩acampanta¡n!⟨ṉ⟩

cūṟun tamiḻ vallavar ⟨25⟩ kuṟṟam aṟṟōyēy

⟨1⟩ maṟi y-ār-karatt’ entai y-am-māt’ umaiyōṭum piṟiyāta pe-
⟨2⟩ mmā¡n!⟨ṉ⟩ Uṟaiyum Iṭam e¡n!⟨ṉ⟩par poṟi vāy vari vaṇṭu ta¡n!⟨ṉ⟩ pūm pe-
⟨3⟩ ṭai pulki veṟi y-ār-malariṟ ṟuyilum viṭaivāyē ~ _   Ovvāta v-e-
⟨4⟩ ¡n!⟨ṉ⟩pē y-iḻaiyā v-oḷi meḷali-c cevvā¡n!⟨ṉ⟩ mati vai⟨⟨t⟩⟩tavar cērv’ iṭam e¡n!⟨ṉ⟩-
⟨5⟩ par Evvāyilum ¿E?⟨Ē⟩ṭ’ alar kōṭal am-pōtu ve⟨⟨v⟩⟩-vāy aravam malarum viṭai-
⟨6⟩ vāyē ~   karai y-ār kaṭal nañc’ amut’ uṇṭavar kaṅkai-t tirai y-ār caṭai-t-
⟨7⟩ tīvaṇṇar cērv’ iṭam e¡n!⟨ṉ⟩par kurai y-ār maṇiyuṅ kuḷir cantamum koṇ-
⟨8⟩ ṭu virai y-ār pu¡n!⟨ṉ⟩al vant’ iḻiyum viṭaivāyē ~   cūca-t taḻal pōla
⟨9⟩ viḻiyā varu cūṟṟai-p pācattoṭum vīḻa Utaittavar paṟṟ’ ām vāca-k
⟨10⟩ katir-c cāli veṇ-cāmaraiyē pōl vīca-k kaḷi A¡nn!⟨ṉṉ⟩a malkum viṭai-
⟨11⟩ vāyē ~   tiriyum pura-mūnṟaiyum centaḻal uṇṇā  E-
⟨12⟩ ri y-amp’ eyta kuṉṟa villi Iṭam e¡n!⟨ṉ⟩par kiriyun taru māḷikai-c ⟨⟨cūḻi⟩⟩-
⟨13⟩ kaita¡n!⟨ṉ⟩ mēl viriyuṅ koṭi vā¡n!⟨ṉ⟩ viḷicey viṭaivāyē 5   
⟨14⟩ kiḷḷai moḻiyāḷai Ikaḻnatava¡n!⟨ṉ⟩ muttī-t taḷḷi-t talai takkaṉai-
⟨15⟩ -k koṇṭavar cārv’ ām vaḷḷi maruṅkul neruṅkum mulai-c cevvā-
⟨16⟩ y veḷḷai ¡nn!⟨n⟩akaiyār naṭañcey viṭaivāyē 6   pātatt’ oli pāriṭam pāṭa naṭañcey 
⟨17⟩  nātatt’ oliyar navilu¡mm!⟨m⟩ iṭam e¡n!⟨ṉ⟩par kītatt’ oliyum keḻu-
⟨18⟩ mum muḻavoṭu vētatt’ oliyum payilum viṭaivāyē 7   Eṇṇāta v-arakka¡n!⟨ṉ⟩ Urattai nerit-
⟨19⟩ tu-p paṇ-ṇ ārtaru pāṭal ukantavar paṟṟ’ ām kaṇ ār viḻaviṟ kaṭivītikaḷ tōṟum viṇṇōrkaḷum
⟨20⟩ vant’ iṟaiñcum viṭaivāyē 8   puḷ vāy piḷantā¡n!⟨ṉ⟩ Aya¡n!⟨ṉ⟩ pū-muṭi pātam Oḷvānilan tēṭum Oru-
⟨21⟩ vaṟk’ iṭam ām teḷ vār punaṟ ceṅkaḻunīr mukai ta¡nn!⟨ṉṉ⟩il viḷ vāy naṟav’ uṇṭu vaṇṭ’ ār-viṭaivāyē 9   
⟨22⟩ Uṭai y-ētum ilār tuvār āṭai Uṭuppōr kiṭaiyā neṟiyān keḻum¿i?⟨u⟩¡mm!⟨m⟩ iṭam e¡n!⟨ṉ⟩par Aṭaiyār pura-
⟨23⟩ m vēva mūvaṟk’ aruḷ ceyta viṭai y-ār-koṭiyā¡n!⟨ṉ⟩ aḻak’ ār-viṭaivāyē 10   Āṟum matiyum poti vēṇiya-
⟨24⟩ ṉ ūr ām āṟ’ il peruñ celva mali viṭai vāyai nāṟum poḻiṟ kāḻiyar ñā¡n!⟨ṉ⟩acampanta¡n!⟨ṉ⟩ cūṟun tamiḻ vallavar
⟨25⟩ kuṟṟam aṟṟōyēy  

I. kaliviruttam

⟨1⟩ maṟi y-ār-karatt’ entai y-am-māt’ umaiyōṭum

piṟiyāta pe⟨2⟩mmā¡n!⟨ṉ⟩ Uṟaiyum Iṭam e¡n!⟨ṉ⟩par

poṟi vāy vari vaṇṭu ta¡n!⟨ṉ⟩ pūm pe⟨3⟩ṭai pulki

veṟi y-ār-malariṟ ṟuyilum viṭaivāyē ~ _

II. kaliviruttam

Ovvāta v-e⟨4⟩¡n!⟨ṉ⟩pē y-iḻaiyā v-oḷi meḷali-c

cevvā¡n!⟨ṉ⟩ mati vai⟨⟨t⟩⟩tavar cērv’ iṭam e¡n!⟨ṉ⟩⟨5⟩par

Evvāyilum ¿E?⟨Ē⟩ṭ’ alar kōṭal am-pōtu

ve⟨⟨v⟩⟩-vāy aravam malarum viṭai⟨6⟩vāyē ~

III. kaliviruttam

karai y-ār kaṭal nañc’ amut’ uṇṭavar kaṅkai-t

tirai y-ār caṭai-t⟨7⟩tīvaṇṇar cērv’ iṭam e¡n!⟨ṉ⟩par

kurai y-ār maṇiyuṅ kuḷir cantamum koṇ⟨8⟩ṭu

virai y-ār pu¡n!⟨ṉ⟩al vant’ iḻiyum viṭaivāyē ~

IV. kaliviruttam

cūca-t taḻal pōla ⟨9⟩ viḻiyā varu cūṟṟai-p

pācattoṭum vīḻa Utaittavar paṟṟ’ ām

vāca-k ⟨10⟩ katir-c cāli veṇ-cāmaraiyē pōl

vīca-k kaḷi A¡nn!⟨ṉṉ⟩a malkum viṭai⟨11⟩vāyē ~

V. kaliviruttam

tiriyum pura-mūnṟaiyum centaḻal uṇṇā

E⟨12⟩ri y-amp’ eyta kuṉṟa villi Iṭam e¡n!⟨ṉ⟩par

kiriyun taru māḷikai-c ⟨⟨cūḻi⟩⟩⟨13⟩kaita¡n!⟨ṉ⟩ mēl

viriyuṅ koṭi vā¡n!⟨ṉ⟩ viḷicey viṭaivāyē 5

VI. kaliviruttam

⟨14⟩ kiḷḷai moḻiyāḷai Ikaḻnatava¡n!⟨ṉ⟩ muttī-t

taḷḷi-t talai takkaṉai⟨15⟩-k koṇṭavar cārv’ ām

vaḷḷi maruṅkul neruṅkum mulai-c cevvā⟨16⟩y

veḷḷai ¡nn!⟨n⟩akaiyār naṭañcey viṭaivāyē 6

VII. kaliviruttam

pātatt’ oli pāriṭam pāṭa naṭañcey

⟨17⟩ nātatt’ oliyar navilu¡mm!⟨m⟩ iṭam e¡n!⟨ṉ⟩par

kītatt’ oliyum keḻu⟨18⟩mum muḻavoṭu

vētatt’ oliyum payilum viṭaivāyē 7

VIII. kaliviruttam

Eṇṇāta v-arakka¡n!⟨ṉ⟩ Urattai nerit⟨19⟩tu-p

paṇ-ṇ ārtaru pāṭal ukantavar paṟṟ’ ām

kaṇ ār viḻaviṟ kaṭivītikaḷ tōṟum

viṇṇōrkaḷum ⟨20⟩ vant’ iṟaiñcum viṭaivāyē 8

IX. kaliviruttam

puḷ vāy piḷantā¡n!⟨ṉ⟩ Aya¡n!⟨ṉ⟩ pū-muṭi pātam

Oḷvānilan tēṭum Oru⟨21⟩vaṟk’ iṭam ām

teḷ vār punaṟ ceṅkaḻunīr mukai ta¡nn!⟨ṉṉ⟩il

viḷ vāy naṟav’ uṇṭu vaṇṭ’ ār-viṭaivāyē 9

X. kaliviruttam

⟨22⟩ Uṭai y-ētum ilār tuvār āṭai Uṭuppōr

kiṭaiyā neṟiyān keḻum¿i?⟨u⟩¡mm!⟨m⟩ iṭam e¡n!⟨ṉ⟩par

Aṭaiyār pura⟨23⟩m vēva mūvaṟk’ aruḷ ceyta

viṭai y-ār-koṭiyā¡n!⟨ṉ⟩ aḻak’ ār-viṭaivāyē 10

XI. kaliviruttam

Āṟum matiyum poti vēṇiya⟨24⟩ṉ ūr ām

āṟ’ il peruñ celva mali viṭai vāyai

nāṟum poḻiṟ kāḻiyar ñā¡n!⟨ṉ⟩acampanta¡n!⟨ṉ⟩

cūṟun tamiḻ vallavar ⟨25⟩ kuṟṟam aṟṟōyēy

Translation by Subrahmanya Aiyar et al. 2007

I

Viṭaivāy, where the male bee which has dots and lines embraces its beautiful female bee and sleeps in the fragrant flower, people say that it is the place where our father who holds a young deer in his hand and who is not separated from Umai, the beautiful lady, dwells.

II

Viṭaivāy where the mature buds of white species of malabar glory-lily unfold their petals and blossom like hood of the cruel cobra everywhere, people say that this is the place where Civaṉ, after adorning himself with bones, which are not suited to his greatness, placed the crescent rising on the red sky, on his brilliant head.

III

Viṭaivāy where the fragrant water comes and descends,¹ carrying precious stones which make sound and cool sandal-wood, people say that this is the place where Civaṉ, who has the colour of fire and a caṭai on which the Kaṅkai with waves, stays, and who consumed the poison which rose in the roaring ocean, just like nectar.

IV

Viṭaivāy, where the mirthful swans stay [in the lotus flowers] when the fragrant paddy having ears of corn fans like the white yak’s tail

is the dwelling place of desire of Civaṉ who kicked the god of death Yamā to fall down with his weapon of noose-cord, who came upon the Lord frightening and staring at him as if spitting fire from eyes.

V

Viṭaivāy where the spread-out flags on the open terrace of the mansions which appear like hills invite celestials to come to the earth,

people say that this is the place of Civaṉ who has a bow of a mountain from which he discharged an arrow spitting fire to make it engulf all the three wandering cities.

VI

Viṭaivāy where ladies with waist like the creeper, breasts close to each other, red lips and white teeth, dance

is the residence of Civaṉ who removed the head of Takkaṉ, who despised Umai, whose words are like the sweet voice of the parrot, destroying the three fires.

VII

People say that Viṭaivāy is the place where the sound of musical composition accompanied by muḻavu and the chanting of the Vedas are always existing without ceasing,

while, when the pūtams sing to the accompaniment of the sound produced by the movement of the feet, Civaṉ produces the sweet musical sound of the dance.

VIII

Viṭaivāy where, in every street of splendour during festivals which are feasts to the eyes, the celestials leaving heaven and coming to the earth pay obeisance to Civaṉ,

who crushes the chest of the arakkaṉ, who had no sense about the greatness of Civaṉ, is the dwelling place of Civaṉ, who rejoiced at hearing his songs full of music.

IX

Viṭaivāy where the bees, having drunk the honey in the unfolded petals of the buds of the purple indian water-lily which grows in the clear running water, hum loudly,

people say that this is the place of the unequalled Civaṉ whose beautiful head and feet Māl, who split the beak of a crane, and Ayaṉ searched in the bright sky and the earth.

X

The exceedingly beautiful Viṭaivāy of Civaṉ, who has a flag of a bull and granted his grace to three acurar, when the cities of the enemies were burning, people say that it is the place where Civaṉ dwells, he who cannot be approached by camaṇars, who have completely given up dress and by buddhists, who wear a dress soaked in red ochre.

XI

Those who are able to recite the Tamiḻ verses, by Ñāṉacampantaṉ, who is the chief of the residents of Kāḻi, which has fragrant gardens, on Viṭaivāy in which big wealth which does not change ² is in abundance are definitely without faults.

Commentary

According to Krishna Sastri 1918, the inscription is on the “south wall of the central shrine”, which seems to mean the southern wall of the vimāna. According to Aravamuthan 1933-1934 (p. 267, fn. 10): “One half occupies the southern wall of the ardha-maṇḍapa and the other half the west wall of the mahā-maṇḍapa.”

In July 2024, we observed that all the inscribed blocks making this inscription are found on the southern wall of the mahāmaṇḍapa. The temple indeed has been renovated in 1960. This would account for the fact that these blocks are now found on a single wall, while there are no inscribed blocks any more on the vimāna and few only on the ardhamahāmaṇḍapa (southern base), whereas inscribed blocks may have been lost (or built in without showing the inscriptions any more) and most of the remaining inscribed blocks are today displayed in disorder.

Bibliography

Reported in Krishna Sastri 1918 (ARIE/1917-1918/C/1918/8).

Edited in Swāminātha Upādhyāya 1918, Cōmacuntara Tēcikar 1918-1919, Swāminātha Upādhyāya 1921. Edited in Aravamuthan 1933-1934, based on autopsy (1919-06, 1921-12) and two ASI estampages (Aravamuthan 1933-1934, p. 268, n. 17).

This edition by Renato Dávalos and Emmanuel Francis (2024), based on Aravamuthan 1933-1934, autopsy (2024) and photos (2024). This translation adapted from Subrahmanya Aiyar et al. 2007.

ASI transcript and estampage(s), if any, yet to be consulted.

Primary

[S1] Swāminātha Upādhyāya, T. M. 1918. Untitled. Tiruvārūr.

[C] Cōmacuntara Tēcikar, S. 1918-1919. Untitled. Centamiḻ 27, pp. 169–172.

[S2] Swāminātha Upādhyāya, T. M. 1921. Untitled. In: caivacamayamum tamiḻ pāṭaiyum. Maṉṉarkuṭi, pp. 43–44.

[VMS] Aravamuthan, T. G. 1933-1934. “A new hymn of Jnana-Sambandha.” QJMS 24, pp. 266–275, 343–360.

[VMS] Subrahmanya Aiyar, V.M., Jean-Luc Chevillard and S.A.S. Sarma. 2007. Digital Tēvāram = kaṇiṉit tēvāram. Pondicherry: Ecole française d'Extrême-Orient; Institut français de Pondichéry. Section Mūvār Tēvāram 3:126.

Secondary

Krishna Sastri, H. 1918. G.O. No. 1172, 6th September 1918. Epigraphy. Recording, with remarks, the progress report of the Assistant Archaeological Superintendent for epigraphy, Southern Circle, for the year 1917-1918. No place. Page 89, item 8, appendix C/1918/.

Gros, François. 1984. “Pour lire le Tēvāram.” In: Tēvāram. Hymnes śivai͏̈tes du pays tamoul. Volume I. Ñāṉacampantar. Vol. 68.1. PIFI. Pondichéry, Inde: Institut français d'indologie, pp. v–xxxvi. Page xxx.

Gros, François. 1984. “Towards reading the Tēvāram.” In: Tēvāram. Hymnes śivai͏̈tes du pays tamoul. Volume I. Ñāṉacampantar. Vol. 68.1. PIFI. Pondichéry, Inde: Institut français d'indologie, pp. xxxvii–lxviii. Page lxii.

Notes

1. The water is the floods in the rivulet Pāṇtavāy which is mentioned in the veṇpā by Aiyaṭikaḷ Kāṭavar Kōṉ Nāyaṉār quoted before.
2. That is, which has no equal.

Display Options Word Wrap Line Numbers Comments Processing Instructions

<?xml version="1.0" encoding="UTF-8"?>

<?xml-model href="https://raw.githubusercontent.com/erc-dharma/project-documentation/master/schema/latest/DHARMA_Schema.rng" type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?>

<?xml-model href="https://raw.githubusercontent.com/erc-dharma/project-documentation/master/schema/latest/DHARMA_SQF.sch" type="application/xml" schematypens="http://purl.oclc.org/dsdl/schematron"?>

<?xml-model href="https://epidoc.stoa.org/schema/latest/tei-epidoc.rng" schematypens="http://relaxng.org/ns/structure/1.0"?>

<?xml-model href="https://epidoc.stoa.org/schema/latest/tei-epidoc.rng" schematypens="http://purl.oclc.org/dsdl/schematron"?>

<title>Tiruviṭaivācal, Puṇyanāthasvāmin, no king, no year</title>

<resp>Intellectual authorship of edition</resp>

<surname>Aravamuthan</surname>

</persName>

</respStmt>

<resp>EpiDoc Encoding</resp>

<forename>Renato</forename>

<surname>Dávalos</surname>

</persName>

<forename>Emmanuel</forename>

<surname>Francis</surname>

</persName>

</respStmt>

</titleStmt>

<authority>DHARMA</authority>

<pubPlace>Paris</pubPlace>

<idno type="filename">DHARMA_INSTamilNadu00026</idno>

<p>This work is licensed under the Creative Commons Attribution 4.0 Unported

Licence. To view a copy of the licence, visit

https://creativecommons.org/licenses/by/4.0/ or send a letter to

Creative Commons, 444 Castro Street, Suite 900, Mountain View,

California, 94041, USA.</p>

</licence>

</availability>

</publicationStmt>

<repository>DHARMAbase</repository>

<idno/>

</msIdentifier>

<summary>A <foreign>patikam</foreign> of eleven stanzas by Tiruñāṉa Campantar in praise of the sacred Viṭaivāy (Tiruviṭaivācal). This hymn is not attested in the manuscripts of the <title>Tēvāram</title>, but has been included in the modern printed editions (<title>Tēvāram</title> 3.126).</summary>

</msContents>

<p>Segmentation of verses is effected through punctuation at the end of verses 1-10: a dash, approaching in one instance the form of a <foreign>piḷḷaiyār cuḻi</foreign>, for verses 1-4; a number for verses 5-10.</p>

</handDesc>

</physDesc>

</msDesc>

</sourceDesc>

</fileDesc>

<p>The project DHARMA has received funding from the European Research Council (ERC)

under the European Union's Horizon 2020 research and innovation programme (grant

agreement no 809994).</p>

</projectDesc>

<p>Public URIs with the prefix bib to point to a Zotero Group Library named

ERC-DHARMA whose data are open to the public.</p>

</prefixDef>

<p>Internal URIs using the part prefix to point to person elements in the

<ref>DHARMA_IdListMembers_v01.xml</ref> file.</p>

</prefixDef>

</listPrefixDef>

</encodingDesc>

<change who="part:reda" when="2024-05-14">Creation of the file</change>

</revisionDesc>

</teiHeader>

<body>

<l n="1"><lb n="1"/>maṟi y-ār-karatt’ entai y-am-māt’ umaiyōṭum</l>

<l n="2">piṟiyāta pe

<lb n="2" break="no"/>mmā<choice><orig>n</orig><reg>ṉ</reg></choice> Uṟaiyum Iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">poṟi vāy vari vaṇṭu ta<choice><orig>n</orig><reg>ṉ</reg></choice> pūm pe<lb n="3" break="no"/>ṭai pulki</l>

<l n="4">veṟi y-ār-malariṟ ṟuyilum viṭaivāyē <g type="dash">.</g> <space/></l>

</lg>

<l n="1">Ovvāta v-e<lb n="4" break="no"/><choice><orig>n</orig><reg>ṉ</reg></choice>pē y-iḻaiyā v-oḷi meḷali-c</l>

<l n="2">cevvā<choice><orig>n</orig><reg>ṉ</reg></choice> mati vai<add place="below">t</add>tavar cērv’ iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice><lb n="5" break="no"/>par</l>

<l n="3">Evvāyilum <choice><sic>E</sic><corr>Ē</corr></choice>ṭ’ alar kōṭal am-pōtu</l>

<l n="4">ve<add place="below">v</add>-vāy aravam malarum viṭai<lb n="6" break="no"/>vāyē <g type="dash">.</g></l>

</lg>

<l n="1">karai y-ār kaṭal nañc’ amut’ uṇṭavar kaṅkai-t</l>

<l n="2">tirai y-ār caṭai-t<lb n="7" break="no"/>tīvaṇṇar cērv’ iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">kurai y-ār maṇiyuṅ kuḷir cantamum koṇ<lb n="8" break="no"/>ṭu</l>

<l n="4">virai y-ār pu<choice><orig>n</orig><reg>ṉ</reg></choice>al vant’ iḻiyum viṭaivāyē <g type="dash">.</g></l>

</lg>

<l n="1">cūca-t taḻal pōla<lb n="9"/>viḻiyā varu cūṟṟai-p</l>

<l n="2">pācattoṭum vīḻa Utaittavar paṟṟ’ ām</l>

<l n="3">vāca-k<lb n="10"/>katir-c cāli veṇ-cāmaraiyē pōl</l>

<l n="4">vīca-k kaḷi A<choice><orig>nn</orig><reg>ṉṉ</reg></choice>a malkum viṭai<lb n="11" break="no"/>vāyē <g type="dash">.</g></l>

</lg>

<l n="1">tiriyum pura-mūnṟaiyum centaḻal uṇṇā </l>

<l n="2">E<lb n="12" break="no"/>ri y-amp’ eyta kuṉṟa villi Iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">kiriyun taru māḷikai-c <add place="below">cūḻi</add>

<lb n="13" break="no"/>kaita<choice><orig>n</orig><reg>ṉ</reg></choice> mēl</l>

<l n="4">viriyuṅ koṭi vā<choice><orig>n</orig><reg>ṉ</reg></choice> viḷicey viṭaivāyē 5</l>

</lg>

<l n="1"><lb n="14"/>kiḷḷai moḻiyāḷai Ikaḻnatava<choice><orig>n</orig><reg>ṉ</reg></choice> muttī-t</l>

<l n="2">taḷḷi-t talai takkaṉai<lb n="15" break="no"/>-k koṇṭavar cārv’ ām</l>

<l n="3">vaḷḷi maruṅkul neruṅkum mulai-c cevvā

<l n="4">veḷḷai <choice><orig>nn</orig><reg>n</reg></choice>akaiyār naṭañcey viṭaivāyē 6</l>

</lg>

<l n="1">pātatt’ oli pāriṭam pāṭa naṭañcey</l>

<l n="2"><lb n="17"/> nātatt’ oliyar navilu<choice><orig>mm</orig><reg>m</reg></choice> iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">kītatt’ oliyum keḻu<lb n="18" break="no"/>mum muḻavoṭu</l>

<l n="4">vētatt’ oliyum payilum viṭaivāyē 7</l>

</lg>

<l n="1">Eṇṇāta v-arakka<choice><orig>n</orig><reg>ṉ</reg></choice> Urattai nerit<lb n="19" break="no"/>tu-p</l>

<l n="2">paṇ-ṇ ārtaru pāṭal ukantavar paṟṟ’ ām</l>

<l n="3">kaṇ ār viḻaviṟ kaṭivītikaḷ tōṟum</l>

<l n="4">viṇṇōrkaḷum<lb n="20"/>vant’ iṟaiñcum viṭaivāyē 8</l>

</lg>

<l n="1">puḷ vāy piḷantā<choice><orig>n</orig><reg>ṉ</reg></choice> Aya<choice><orig>n</orig><reg>ṉ</reg></choice> pū-muṭi pātam</l>

<l n="2">Oḷvānilan tēṭum Oru<lb n="21" break="no"/>vaṟk’ iṭam ām</l>

<l n="3">teḷ vār punaṟ ceṅkaḻunīr mukai ta<choice><orig>nn</orig><reg>ṉṉ</reg></choice>il</l>

<l n="4">viḷ vāy naṟav’ uṇṭu vaṇṭ’ ār-viṭaivāyē 9</l>

</lg>

<l n="1"><lb n="22"/>Uṭai y-ētum ilār tuvār āṭai Uṭuppōr</l>

<l n="2">kiṭaiyā neṟiyān keḻum<choice><sic>i</sic><corr>u</corr></choice><choice><orig>mm</orig><reg>m</reg></choice> iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">Aṭaiyār pura<lb n="23" break="no"/>m vēva mūvaṟk’ aruḷ ceyta</l>

<l n="4">viṭai y-ār-koṭiyā<choice><orig>n</orig><reg>ṉ</reg></choice> aḻak’ ār-viṭaivāyē 10</l>

</lg>

<l n="1">Āṟum matiyum poti vēṇiya<lb n="24" break="no"/>ṉ ūr ām</l>

<l n="2">āṟ’ il peruñ celva mali viṭai vāyai</l>

<l n="3">nāṟum poḻiṟ kāḻiyar ñā<choice><orig>n</orig><reg>ṉ</reg></choice>acampanta<choice><orig>n</orig><reg>ṉ</reg></choice></l>

<l n="4">cūṟun tamiḻ vallavar<lb n="25"/>kuṟṟam aṟṟōyēy</l>

</lg>

</div>

<!--<div type="edition" xml:lang="tam-Latn" rendition="class:tamil maturity:83215" source="bib:Aravamuthan1933-1934_01">

<!-\-

Update encoding: reproduce exactly as Aravamuthan edits; no standardisation (delete <choice>)

New case: necessity to display two different editions, as we differ in the epigraphical lines split and as the inscription is now disordered.

@MM:

-display 2 editions

-display source for edition

-\->

<l n="1"><lb n="1"/>maṟi y-ār-karatt’ entai y-am-māt’ umaiyōṭum</l>

<l n="2">piṟiyāta pe

<lb n="2" break="no"/>mmā<choice><orig>n</orig><reg>ṉ</reg></choice> Uṟaiyum Iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">poṟi vāy vari vaṇṭu ta<choice><orig>n</orig><reg>ṉ</reg></choice> pūm pe<lb n="3" break="no"/>ṭai pulki</l>

<l n="4">veṟi y-ār-malariṟ ṟuyilum viṭaivāyē</l>

</lg>

<l n="1">Ovvāta v-e<lb n="4" break="no"/><choice><orig>n</orig><reg>ṉ</reg></choice>pē y-iḻaiyā v-oḷi meḷali-c</l>

<l n="2">cevvā<choice><orig>n</orig><reg>ṉ</reg></choice> mati vaittavar cērv’ iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice><lb n="5" break="no"/>par</l>

<l n="3">Evvāyilum <choice><sic>E</sic><corr>Ē</corr></choice>ṭ’ alar kōṭal am-pōtu</l>

<l n="4">vev-vāy aravam malarum viṭai<lb n="6" break="no"/>vāyē</l>

</lg>

<l n="1">karai y-ār kaṭal nañ c’ amutu Uṇṭavar kaṅkai-t</l>

<l n="2">tirai y-ār caṭai-t<lb n="7" break="no"/>tīvaṇṇar cērv’ iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">kurai y-ār maṇiyuṅ kuḷir cantamum koṇ<lb n="8" break="no"/>ṭu</l>

<l n="4">virai y-ār pu<choice><orig>n</orig><reg>ṉ</reg></choice>al vant’ iḻiyum viṭaivāyē</l>

</lg>

<l n="1">cūca-t taḻal pōla<lb n="9"/>viḻiyā varu cūṟṟai-p</l>

<l n="2">pācattoṭum vīḻa Utaittavar paṟṟ’ ām</l>

<l n="3">vāca-k<lb n="10"/>katir-c cāli veṇ-cāmaraiyē pōl</l>

<l n="4">vīca-k kaḷi A<choice><orig>nn</orig><reg>ṉṉ</reg></choice>a malkum viṭai<lb n="11" break="no"/>vāyē</l>

</lg>

<l n="1">tiriyum pura-mūnṟaiyum centaḻal uṇṇā<!-\-@apparatus: unna in the digital tevaram edition-\-> </l>

<l n="2">E<lb n="12" break="no"/>ri y-amp’ eyta kuṉṟa villi Iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">kiriyun taru māḷikai-c cūḻi

<lb n="13" break="no"/>kaita<choice><orig>n</orig><reg>ṉ</reg></choice> mēl</l>

<l n="4">viriyuṅ koṭi vā<choice><orig>n</orig><reg>ṉ</reg></choice> viḷicey viṭaivāyē</l>

</lg>

<l n="1"><lb n="14"/>kiḷḷai moḻiyāḷai Ikaḻnatava<choice><orig>n</orig><reg>ṉ</reg></choice> muttī-t</l>

<l n="2">taḷḷi-t talai takkaṉai<lb n="15" break="no"/>-k koṇṭavar cārv’ ām</l>

<l n="3">vaḷḷi maruṅkul neruṅkum mulai-c cevvā

<l n="4">veḷḷai <choice><orig>nn</orig><reg>n</reg></choice>akaiyār naṭañcey viṭaivāyē</l>

</lg>

<l n="1">pātatt’ oli pāriṭam pāṭa naṭañcey</l>

<l n="2"><lb n="17"/> nātatt’ oliyar navilu<choice><orig>mm</orig><reg>m</reg></choice> iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">kītatt’ oliyum keḻu<lb n="18" break="no"/>mum muḻavoṭu</l>

<l n="4">vētatt’ oliyum payilum viṭaivāyē </l>

</lg>

<l n="1">Eṇṇāta v-arakka<choice><orig>n</orig><reg>ṉ</reg></choice> Urattai nerit<lb n="19" break="no"/>tu-p</l>

<l n="2">paṇ-ṇ ārtaru pāṭal ukantavar paṟṟ’ ām</l>

<l n="3">kaṇ ār viḻaviṟ kaṭivītikaḷ tōṟum</l>

<l n="4">viṇṇōrkaḷum<lb n="20"/>vant’ iṟaiñcum viṭaivāyē</l>

</lg>

<l n="1">puḷ vāy piḷantā<choice><orig>n</orig><reg>ṉ</reg></choice> Aya<choice><orig>n</orig><reg>ṉ</reg></choice> pū-muṭi pātam</l>

<l n="2">Oḷvānilan tēṭum Oru<lb n="21" break="no"/>vaṟk’ iṭam ām</l>

<l n="3">teḷ vār punaṟ ceṅkaḻunīr mukai ta<choice><orig>nn</orig><reg>ṉṉ</reg></choice>il</l>

<l n="4">viḷ vāy naṟav’ uṇṭu vaṇṭ’ ār-viṭaivāyē</l>

</lg>

<l n="1"><lb n="22"/>Uṭai y-ētum ilār tuvār āṭai Uṭuppōr</l>

<l n="2">kiṭaiyā neṟiyān keḻum<choice><sic>i</sic><corr>u</corr></choice><choice><orig>mm</orig><reg>m</reg></choice> iṭam e<choice><orig>n</orig><reg>ṉ</reg></choice>par</l>

<l n="3">Aṭaiyār pura<lb n="23" break="no"/>m vēva mūvaṟk’ aruḷ ceyta</l>

<l n="4">viṭai y-ār-koṭiyā<choice><orig>n</orig><reg>ṉ</reg></choice> aḻak’ ār-viṭaivāyē</l>

</lg>

<l n="1">Āṟum matiyum poti vēṇiya<lb n="24" break="no"/>ṉ ūr ām<!-\-@apparatus: digital says ur am paaRu-\-></l>

<l n="2">āṟ’ il peruñ celva mali viṭai vāyai</l>

<l n="3">nāṟum poḻiṟ kāḻiyar ñā<choice><orig>n</orig><reg>ṉ</reg></choice>acampanta<choice><orig>n</orig><reg>ṉ</reg></choice></l>

<l n="4">cūṟun tamiḻ vallavar<lb n="25"/>kuṟṟam aṟṟōyēy</l>

</lg>

</div>-->

<!--<div type="apparatus">

</app>

</listApp>

</div>-->

</p>

</p>

Viṭaivāy where the fragrant water comes and descends,<note>The water is the floods in the rivulet Pāṇtavāy which is mentioned in the <foreign>veṇpā</foreign> by Aiyaṭikaḷ Kāṭavar Kōṉ Nāyaṉār quoted before.</note> carrying precious stones which make sound and cool sandal-wood, people say that this is the place where Civaṉ, who has the colour of fire and a <foreign>caṭai</foreign> on which the Kaṅkai with waves, stays, and who consumed the poison which rose in the roaring ocean, just like nectar.

</p>

<l>Viṭaivāy, where the mirthful swans stay <supplied reason="subaudible">in the lotus flowers</supplied> when the fragrant paddy having ears of corn fans like the white yak's tail</l>

<l>is the dwelling place of desire of Civaṉ who kicked the god of death Yamā to fall down with his weapon of noose-cord, who came upon the Lord frightening and staring at him as if spitting fire from eyes.</l>

</p>

<l>Viṭaivāy where the spread-out flags on the open terrace of the mansions which appear like hills invite celestials to come to the earth,</l>

<l>people say that this is the place of Civaṉ who has a bow of a mountain from which he discharged an arrow spitting fire to make it engulf all the three wandering cities.</l>

</p>

<l>Viṭaivāy where ladies with waist like the creeper, breasts close to each other, red lips and white teeth, dance</l>

<l>is the residence of Civaṉ who removed the head of Takkaṉ, who despised Umai, whose words are like the sweet voice of the parrot, destroying the three fires.</l>

</p>

<l>People say that Viṭaivāy is the place where the sound of musical composition accompanied by <foreign>muḻavu</foreign> and the chanting of the Vedas are always existing without ceasing,</l>

<l>while, when the <foreign>pūtam</foreign>s sing to the accompaniment of the sound produced by the movement of the feet, Civaṉ produces the sweet musical sound of the dance.</l>

</p>

<l>Viṭaivāy where, in every street of splendour during festivals which are feasts to the eyes, the celestials leaving heaven and coming to the earth pay obeisance to Civaṉ,</l>

<l>who crushes the chest of the <foreign>arakkaṉ</foreign>, who had no sense about the greatness of Civaṉ, is the dwelling place of Civaṉ, who rejoiced at hearing his songs full of music.</l>

</p>

<l>Viṭaivāy where the bees, having drunk the honey in the unfolded petals of the buds of the purple indian water-lily which grows in the clear running water, hum loudly,</l>

<l>people say that this is the place of the unequalled Civaṉ whose beautiful head and feet Māl, who split the beak of a crane, and Ayaṉ searched in the bright sky and the earth.</l>

</p>

The exceedingly beautiful Viṭaivāy of Civaṉ, who has a flag of a bull and granted his grace to three <foreign>acurar</foreign>, when the cities of the enemies were burning, people say that it is the place where Civaṉ dwells, he who cannot be approached by <foreign>camaṇar</foreign>s, who have completely given up dress and by buddhists, who wear a dress soaked in red ochre.

</p>

Those who are able to recite the Tamiḻ verses,

by Ñāṉacampantaṉ, who is the chief of the residents of Kāḻi, which has fragrant gardens,

on Viṭaivāy in which big wealth which does not change <note>That is, which has no equal.</note> is in abundance

are definitely without faults.

</p>

</div>

<p>

According to <bibl><ptr target="bib:ARIE1917-1918"/></bibl>, the inscription is on the <quote>south wall of the central shrine</quote>, which seems to mean the southern wall of the <foreign>vimāna</foreign>.

According to <bibl><ptr target="bib:Aravamuthan1933-1934_01"/></bibl> (p. 267, fn. 10): <quote>One half occupies the southern wall of the <foreign>ardha-maṇḍapa</foreign> and the other half the west wall of the <foreign>mahā-maṇḍapa</foreign>.</quote></p>

<p>

In July 2024, we observed that all the inscribed blocks making this inscription are found on the southern wall of the <foreign>mahāmaṇḍapa</foreign>. The temple indeed has been renovated in 1960. This would account for the fact that these blocks are now found on a single wall, while there are no inscribed blocks any more on the <foreign>vimāna</foreign> and few only on the <foreign>ardhamahāmaṇḍapa</foreign> (southern base), whereas inscribed blocks may have been lost (or built in without showing the inscriptions any more) and most of the remaining inscribed blocks are today displayed in disorder.

</p>

</div>

<p>Reported in <bibl><ptr target="bib:ARIE1917-1918"/></bibl> (ARIE/1917-1918/C/1918/8).</p>

<p>Edited in <bibl><ptr target="bib:SwaminathaUpadhyaya1918_01"/></bibl>, <bibl><ptr target="bib:ComacuntaraTecikar1918-1919_01"/></bibl>, <bibl><ptr target="bib:SwaminathaUpadhyaya1921_01"/></bibl>. Edited in <bibl><ptr target="bib:Aravamuthan1933-1934_01"/></bibl>, based on autopsy (1919-06, 1921-12) and two ASI estampages (<bibl><ptr target="bib:Aravamuthan1933-1934_01"/><citedRange unit="page">268</citedRange><citedRange unit="note">17</citedRange></bibl>).</p>

<p>This edition by Renato Dávalos and Emmanuel Francis (2024), based on <bibl><ptr target="bib:Aravamuthan1933-1934_01"/></bibl>, autopsy (2024) and photos (2024). This translation adapted from <bibl><ptr target="bib:SubrahmanyaAiyar+al_2007_01"/></bibl>.</p>

<p>ASI transcript and estampage(s), if any, yet to be consulted.</p>

</bibl>

</bibl>

</bibl>

</bibl>

<citedRange unit="section">Mūvār Tēvāram 3:126</citedRange>

</bibl>

</listBibl>

<bibl>

</bibl>

<bibl>

</bibl>

<bibl>

</bibl>

<bibl>

</bibl>

</listBibl>

</div>

</body>

</text>

</TEI>