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15 <forename>Arlo</forename>
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20 <resp>intellectual authorship of edition</resp>
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40 <p>This work is licensed under the Creative Commons Attribution 4.0 Unported
· Licence. To view a copy of the licence, visit
· https://creativecommons.org/licenses/by/4.0/ or send a letter to
· Creative Commons, 444 Castro Street, Suite 900, Mountain View,
· California, 94041, USA.</p>
45 <p>Copyright (c) 2019-2025 by Arlo Griffiths.</p>
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· <date from="2019" to="2025">2019-2025</date>
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· <p xml:lang="und-Latn"><lb n="1"/><g type="spiralR"/> <g type="ddanda"/> siddha <g type="ddanda"/> titaṁ hamvan· vari Avai <g type="circleMed">.</g> kandra kāyet nipaihumpaAn· namuha Ulu lavan tandrun· luAḥ makamatai tandrun· luAḥ vinunu paihumpaAn· hakairu muAḥ kāyet nihumpa Unai tuṅai <unclear cert="low"><g type="circleMed">.</g></unclear> <lb n="2"/>Umenteṁ bhaktī niUlun· haraki <g type="circleMed">.</g> Unai tuṅai <g type="ddanda"/></p>
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95 <lb n="3"/>parāvis· <g type="circleMed">.</g> kadāci yaṁ Uraṁ di dalaṁña bhūmi parāvis· drohaka vāṅun· <g type="circleMed">.</g> samavuddhi lavan· drohaka <g type="circleMed">.</g> maṅujāri drohaka <g type="circleMed">.</g> niUjāri drohaka tāhu din drohaka <g type="circleMed">.</g> tīda ya
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· <p>śaka-varṣātīta <num value="608">608</num> diṁ pratipada śukla-pakṣa vulan· vaiśākha <g type="circleMed">.</g> tatkālāña
100 <lb n="10"/>yaṁ maṁmaṁ sumpaḥ Ini <g type="circleMed">.</g> nipāhat· di velāña yaṁ vala śrīvijaya kalivat· manāpik· yaṁ bhūmi jāva tida bhakti ka śrīvijaya <g type="circleMed">.</g> <g type="ddandaHooked"/> <g type="dotTriple"/> <g type="ddanda"/> <g type="floretQuatrefoil"/> <g type="ddanda"/> <g type="dotTriple"/> <g type="ddanda"/> <g type="gomutraFinal"/></p>
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105 <lem>vāṅun·</lem>
· <rdg source="bib:Coedes1930_01">haṅun·</rdg>
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· <lem>graṁ</lem>
110 <rdg source="bib:Coedes1930_01">graṅ</rdg>
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115
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120
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125 <div type="translation">
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·
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· <p>Text by Arlo Griffiths (March 2010, June 2024) based on the edition by C. Cœdès (<bibl rend="omitname"><ptr target="bib:Coedes1930_01"/></bibl>), verified on the basis of photos of the same EFEO (uninked) estampage used by Cœdès, and photos of an inked and uninked set of estampages kept in Leiden.</p>
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135 </listBibl>
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