Kurkihar bronze pedestal dedication, Rājyapāla year 28

Version: (5f23e1c), last modified (5f23e1c).

Edition

⟨1⟩ @ śrīmat-kāñcīm ala⟨ṁ⟩kurvann asti grāmaḥ satām mataḥ narasiṁha-caturvedimaṅgalākhyo mahīyasāṁ|| dvijānām ālayo ramyo veda-vedāṅga-

⟨2⟩ -vedinā⟨ṁ⟩ tatra viprā¿t?vay(e) śuddhe lavdhajanmā guṇānvitaḥ|| yo vairocanasiṁhasya sthavirasya guṇ(o)dadheḥ| prajñāsiṁha Iti khyāta⟨ḥ⟩ śiśyo ’bhūd guṇinā-

⟨3⟩ m mataḥ|| ¿ś?o ’kārayad idaṁ vimvaṁ saugataṁ ghaṭ⟨ṭ⟩ano¡jv!ala⟨ṁ⟩ śuddhar¿ā?ti-mayaṁ bhaktyā nyāyāṁ mārga-samāśritaḥ || Anena puṇyenācāryopādhyāya-sahita⟨ṁ⟩

⟨4⟩ jaga¿ta? mātā-pitr̥-samāyukta⟨ṁ⟩ saugataṁ padam āpnuyā¿ta?|| śrīrāj⟨y⟩apāla-nāmni kṣitibhr̥ti bhuvam avati kīrttir atimahatī| Avdi ’¿p?ṭāviṁśatime kr̥tā

⟨5⟩ ¿ś?(i)tadinā¿p?ṭa-vaiśākhe||

Apparatus

⟨1⟩ -caturvedimaṅgalākhyo G Bcaturvedī maṅgalākhyo BS • Banerji-Sastri’s reading comprises a silent, unnecessary emendation.

Translation

1.

There is a village named Narasiṁhacaturvedimaṅgala,1 which adorns the illustrious Kāñcī, and is esteemed by the excellent ones, the noble ones,

2.

[and is a] pleasing resting place for twice-borns who master the Vedas and Vedāṅgas. There, in a pure lineage of brahmins [vipra], he who is endowed with virtues, took birth.

3.

He became the disciple of the venerable Vairocanasiṁha—[himself] an ocean of virtues—and [came to be] called Prajñāsiṁha, esteemed among the virtuous ones.

4.

He, relying on the correct Dharma, with devotion ordered to be made this image of the Sugata, made of pure brass, which is resplendent as it is rubbed (by devotees).

5.

By the merit, may the world, together with [his] teacher and preceptor, joined by [his] mother and father, reach the state of sugatas!

6.

While King (kṣitibhr̥t) Śrī-Rājyapāla was ruling the earth, during [his] 28th year, on the 8th day of the waxing (sita) [fortnight of the month] of Vaiśākha (i.e., on the Buddha’s birthday), [this] most excellent memorial was made.

Bibliography

First edited by A. Banerji-Sastri (1940), whose reading was reproduced by S. Huntington (1984). An improved edition had by that time already been offered by P. L. Gupta (1965). There is even a third edition, by G. Bhattacharya (2000), but it is inferior to Gupta’s, as it comprises several silent emendations and printing or typing errors. Banerji-Sastri’s summary was mispresented as a translation by Huntington and Bhattacharya. In fact, no translation has been published so far. The text is edited here by Rajat Sanyal, Vincent Tournier & Arlo Griffiths, based on the photograph from the Huntington archive, and furnished with a translation by Vincent Tournier.

Primary

[BS] Banerji-Sastri, Ananta Prasad. 1940. “Ninety-three inscriptions on the Kurkihar bronzes.” JBORS 26 (3), pp. 236–251. Page 246, item 52.

[G] Gupta, Parmeshwari Lal. 1965. Patna Museum catalogue of antiquities (Stone sculptures, metal images, terracottas and minor antiquities). Patna: Patna Museum. Page 155, item 164.

[B] Bhattacharya, Gouriswar and Enamul Haque. 2000. Essays on Buddhist, Hindu, Jain iconography & epigraphy. Studies in Bengal Art 1. Dhaka: The International Centre for Study of Bengal Art. Page 95.

Secondary

Huntington, Susan L. 1984. The “Pāla-Sena” schools of sculpture. Studies in South Asian culture 10. Leiden: Brill. Pages 213–214.

Notes

  1. 1. On caturvedimaṅgala, an equivalent of agrahāra used in the Tamil-speaking South of India as a suffix to villages granted tax-free to Brahmins, see Sircar 1965, p. 377; Sircar 1966, s.v.