Nākappaṭṭiṉam, bronze label
Editor: Emmanuel Francis.
Identifier: DHARMA_INSTamilNadu00381.
Summary: Label on a Buddhist bronze.
Hand description:
Language: Tamil.
Repository: Tamil Nadu (varia) (tfa-tamilnadu-epigraphy).
Version: (b3b3a47), last modified (4a0c02e).
Translation by Ramachandran 1954
(1) The Nāyakar (i.e., Buddha) who was the Lord of the Pulpit.
Translation by Emmanuel Francis
(1) The glorious Lord [of] the stage (araṅkam1).
Bibliography
Edited in Ramachandran 1954, with a facsimile.
Edited and translated here by Emmanuel Francis (2024), based on Ramachandran 1954 and the facsimile therein.
Primary
[R1] Ramachandran, T. N. 1954. The Nāgapaṭṭiṇam and other Buddhist bronzes in the Chennai Museum. Madras: Government of Madras. Page TBC, plates XIV, no. 2.
[R2] Ramachandran, T. N. 2005. The Nāgapaṭṭiṇam and other Buddhist bronzes in the Chennai Museum. Revised edition. Chennai: Government of Tamilnadu. Page 106, pages III, no. 2.
Notes
- 1. That is, Sanskrit raṅga.
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<p n="1">The Nāyakar (i.e., Buddha) who was the Lord of the Pulpit.</p>
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<p n="1">The glorious Lord <supplied reason="subaudible">of</supplied> the stage <supplied reason="explanation"><foreign>araṅkam</foreign><note>That is, Sanskrit <foreign>raṅga</foreign>.</note></supplied>.</p>
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<p><bibl><ptr target="bib:Ramachandran1954_01"/></bibl> comments thus: <quote>By <foreign>araṅkam</foreign> the Buddhist form is probably meant. (Cf. <foreign>caṅkappalakai</foreign>).</quote>. This appears a far-fetched explanation. It seems that the Buddha is presented here as a rival of Viṣṇu, known as Raṅganātha, "the Lord of the stage," in his famous temple on the Śrīraṅga island at Trichy.</p>
<p>For the same label, with a variant spelling, on another Buddhist bronze from Nākappaṭṭiṉam, see <ref target="DHARMA_INSTamilNadu00302.xml">Tamil Nadu 302</ref>.</p>
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<p>Edited in <bibl><ptr target="bib:Ramachandran1954_01"/></bibl>, with a facsimile.</p>
<p>Edited and translated here by Emmanuel Francis (2024), based on <bibl><ptr target="bib:Ramachandran1954_01"/></bibl> and the facsimile therein.</p>
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Commentary
Ramachandran 1954 comments thus: “By araṅkam the Buddhist form is probably meant. (Cf. caṅkappalakai).”. This appears a far-fetched explanation. It seems that the Buddha is presented here as a rival of Viṣṇu, known as Raṅganātha, "the Lord of the stage," in his famous temple on the Śrīraṅga island at Trichy.
For the same label, with a variant spelling, on another Buddhist bronze from Nākappaṭṭiṉam, see Tamil Nadu 302.