SII 12.99: original edition by V. Venkatasubba Ayyar – KAMPAVARMAN. No. 99. (A.R. No. 189 of 1912). TIRUVOṞṞIYŪR, SAIDAPET TALUK, CHINGLEPUT DISTRICT. ON A SLAB BUILT INTO THE FLOOR OF THE MAṆḌAPA IN FRONT OF THE CENTRAL SHRINE IN THE ĀDHIPURĪŚVARA TEMPLE.

Editor: Emmanuel Francis.

Identifier: DHARMA_INSSIIv12p0i0099.

Summary: It is stated in this record of Kampavarman, dated in the 7th year, that the assembly of Maṇali, hamlet of Tiruvoṟṟiyūr, agreed to burn a lamp in the temple of Mahādēva at Tiruvoṟṟiyūr for the interest on 15 kaḻañju of gold received by them from Vēmbaṉ Kuṇuṅgaṉammaṉ of Iṛaiyāṉchēri in Mayilārppu. This inscription must be a copy since, as stated already (No. 90 above), it is engraved in continuation of an inscription where the king’s name is lost and followed by a record of Aparājita the first line of which is engraved in continuation of the present inscription.

Hand description:

Language: Tamil.

Repository: South Indian Inscriptions (Original Edition) (south-indian-inscriptions).

Version: 2025-05-10 12:15 (c2424c5), last modified 2025-05-08 17:28 (9d8de5d).

⟨1⟩ kampavarmmaṟku yāṇ⟨2⟩ṭeḻāvatu tiruvoṟṟiyūrppuṟattu maṇali sabhaiyoṅ kaiy⟨3⟩(E)ḻuttu [|] mayilā⟨r⟩ppi liṟaiyāṉceri vempaṉ kuṇuṅkaṉammaṉ ⟨4⟩ tiruvoṟṟiyūr mahādevarkkut tiruviḷakkiṉukku vaitta po⟨ṉ⟩ ṉūrkaṟ(ce)⟨5⟩(m)m(ai) patiṉaiṅ kaḻañcu poṉ koṇṭu kaṭavo mippoṉṉā(l kaḻañ)⟨6⟩(ciṉvāy) muṉṟu mañcāṭip palicaiyāka (yi)vvāṭṭai (Ai)ppaci mutalā ṟāṟu tiṅ⟨7⟩kaḷiṟ kaḻañce Araikkāṟ poṉ ṟiruvoṟṟiyū rāṇikiḻe koṇṭu ⟨8⟩ kuṭuppomāṉo mippoṉ kaṭaikkūṭṭava(ntāṟku nicati) Iraṇṭu ⟨9⟩ (co)ṟu kuṭuppomāṉo mitaṟṟiṟampi⟨l⟩ dharmmāsanattu nicati Eṭṭarai kāṇa(m) ⟨10⟩ taṇṭappaṭuvomāṉom [||]

Bibliography

Digital edition of SII 12.99 by Venkatasubba Ayyar 1943 converted to DHARMA conventions by Emmanuel Francis.

Primary

[SII] Venkatasubba Ayyar, V. 1943. South Indian inscriptions. Volume XII: The Pallavas (with introductory notes in English). South Indian Inscriptions 12. Madras: Government Press. Pages 44–45, item 99.

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<title type="alt">KAMPAVARMAN. No. 99. (A.R. No. 189 of 1912). TIRUVOṞṞIYŪR, SAIDAPET TALUK, CHINGLEPUT DISTRICT. ON A SLAB BUILT INTO THE FLOOR OF THE MAṆḌAPA IN FRONT OF THE CENTRAL SHRINE IN THE ĀDHIPURĪŚVARA TEMPLE.</title>

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<p>It is stated in this record of <hi rend="bold">Kampavarman,</hi> dated in the <hi rend="bold">7th year,</hi> that the assembly of Maṇali, hamlet of Tiruvoṟṟiyūr, agreed to burn a lamp in the temple of Mahādēva at Tiruvoṟṟiyūr for the interest on 15 <hi rend="italic">kaḻañju</hi> of gold received by them from <hi rend="bold">Vēmbaṉ Kuṇuṅgaṉammaṉ</hi> of Iṛaiyāṉchēri in Mayilārppu.</p>

<p>This inscription must be a copy since, as stated already (No. 90 above), it is engraved in continuation of an inscription where the king's name is lost and followed by a record of Aparājita the first line of which is engraved in continuation of the present inscription.</p>

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<lb n="1"/>kampava<hi rend="grantha">rmma</hi>ṟku yāṇ

<lb n="2" break="no"/>ṭeḻāvatu tiruvoṟṟiyūrppuṟattu maṇali <hi rend="grantha">sabhai</hi>yoṅ kaiy

<lb n="3" break="no"/><unclear>E</unclear>ḻuttu <supplied reason="undefined"><g type="danda">.</g></supplied> mayilā<supplied reason="omitted">r</supplied>ppi liṟaiyāṉceri vempaṉ kuṇuṅkaṉammaṉ

<lb n="4"/>tiruvoṟṟiyūr <hi rend="grantha">mahāde</hi>varkkut tiruviḷakkiṉukku vaitta po<supplied reason="omitted">ṉ</supplied> ṉūrkaṟ<unclear>ce</unclear>

<lb n="5" break="no"/><unclear>m</unclear>m<unclear>ai</unclear> patiṉaiṅ kaḻañcu poṉ koṇṭu kaṭavo mippoṉṉā<unclear>l kaḻañ</unclear>

<lb n="6" break="no"/><unclear>ciṉvāy</unclear> muṉṟu mañcāṭip palicaiyāka <unclear>yi</unclear>vvāṭṭai <unclear>Ai</unclear>ppaci mutalā ṟāṟu tiṅ

<lb n="7" break="no"/>kaḷiṟ kaḻañce <hi rend="grantha">A</hi>raikkāṟ poṉ ṟiruvoṟṟiyū rāṇikiḻe koṇṭu

<lb n="8"/>kuṭuppomāṉo mippoṉ kaṭaikkūṭṭava<unclear>ntāṟku nicati</unclear> Iraṇṭu

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<lb n="10"/>taṇṭappaṭuvomāṉom <supplied reason="undefined"><g type="ddanda">.</g></supplied>

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<p>Digital edition of SII 12.99 by <bibl><ptr target="bib:VenkatasubbaAyyar1943_01"/></bibl> converted to DHARMA conventions by Emmanuel Francis.</p>

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