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· <title>Pedestal of a standing Buddha image, Kanaganahalli stūpa</title>
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· <resp>author of digital edition</resp>
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15 <forename>Vincent</forename>
· <surname>Tournier</surname>
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· <licence target="https://creativecommons.org/licenses/by/4.0/">
· <p>This work is licensed under the Creative Commons Attribution 4.0 Unported
· Licence. To view a copy of the licence, visit
· https://creativecommons.org/licenses/by/4.0/ or send a letter to
30 Creative Commons, 444 Castro Street, Suite 900, Mountain View,
· California, 94041, USA.</p>
· <p>Copyright (c) 2019-2025 by Vincent Tournier.</p>
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35 <date from="2019" to="2025">2019-2025</date>
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· <p><milestone type="pagelike" unit="face" n="A"/><lb n="A.1"/>dāraghāḍhikehi bhagavato<lb n="A.2"/>budhasa paḍimā k<choice><sic>a</sic><corr>ā</corr></choice>rit<unclear>ā</unclear><milestone type="pagelike" unit="face" n="B"/><lb n="B.1"/><supplied reason="lost">A</supplied><unclear>s</unclear><supplied reason="lost">a</supplied>bhūtina Upajhāyāna natukena veṇh<unclear>u</unclear>na Upajhāyāna<lb n="B.2"/>putena nādikeṇa <space unit="character" quantity="1"/> kato
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95 <rdg source="bib:Nakanishi+Hinuber2014_01"><unclear>sabhū</unclear>tina</rdg>
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100 <rdg source="bib:Nakanishi+Hinuber2014_01">Upajhāyena</rdg>
· <note>As pointed out by the previous editors, <foreign>upajhāya</foreign> means here a master craftsman. The fact that both strings <foreign>-bhūtina upajhāyāna</foreign> and <foreign>veṇh<unclear>u</unclear>na upajhāyāna</foreign> are in the Gen. Pl. is a clear use of <foreign>pluralis maiestatis</foreign>, and might point to <foreign>Nādika</foreign>’s ancestors to be departed.</note>
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105 <rdg source="bib:Nakanishi+Hinuber2014_01">ve<unclear>nena</unclear></rdg>
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115 <p>The people from Dāraghāḍha commissioned this image of the Bhagavant, the Buddha. Made by Nādika, the son of the master <supplied reason="subaudible">sculptor</supplied> Veṇhu, grandson of the master <supplied reason="subaudible">sculptor</supplied> Assabhūti.</p>
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· <p>The possible toponym Dāraghāḍha, from which the collective of donors stems, is otherwise unknown, although it brings to mind Dvārakā in Kathiawar, which is mentioned for instance in the Petavatthu and in the Periplus. See <bibl><ptr target="bib:Sircar1971_02"/><citedRange unit="page">197, 225</citedRange></bibl>.
120As remarked by <bibl><ptr target="bib:Nakanishi+Hinuber2014_01"/><citedRange unit="page">81</citedRange></bibl>, <foreign>upajjhāya</foreign> is used here not in its Buddhist meaning, but pointing to a master artisan, as in <ref target="DHARMA_INSEIAD00322.xml">EIAD 322</ref>: <foreign>caṁmakārasa nāgaUpajhayaputasa vidhikasa…</foreign>.</p>
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125 <p>This edition, based on photographs, by Vincent Tournier. Encoded in XML by Fu Fan in May 2025.</p>
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Commentary
The possible toponym Dāraghāḍha, from which the collective of donors stems, is otherwise unknown, although it brings to mind Dvārakā in Kathiawar, which is mentioned for instance in the Petavatthu and in the Periplus. See Sircar 1971, pp. 197, 225. As remarked by Nakanishi and von Hinüber 2014, p. 81, upajjhāya is used here not in its Buddhist meaning, but pointing to a master artisan, as in EIAD 322: caṁmakārasa nāgaUpajhayaputasa vidhikasa….