Slab with Buddha image in high relief said to be from Ghantasala
Version: (9768830), last modified (9768830).
Edition
⟨1⟩ dha(ṁ)makatikaya parabudhay(ā)ya
⟨2⟩ Atevās(i)kāya _ cul(ā)ya paṭimā
Translation
Image [gifted] by Cullā, female pupil of the dharma reciter Parabudhāyā.
Bibliography
First described and edited in a Japanese newspaper called Bukkyo times by Akira Sadakata, whose reading is cited (but without any diacritics or editorial apparatus) in Miyaji Akira 宮治 昭 and Nakano Genzō 中野 玄三 1998. This digital edition by Arlo Griffiths & Vincent Tournier from our photographs and after autopsy of the stone.
Secondary
Miyaji Akira 宮治 昭 and Nakano Genzō 中野 玄三. 1998. Budda ten: ōinaru tabiji / ブッダ展: 大いなる旅路 / Buddha: the spread of Buddhist art in Asia. Tokyo: NHK プロモ-ション (NHK Promotions). Item 20, page 46.
Okada, Amina. 2000. Sculptures indiennes du Musée Guimet. Paris: Réunion des musées nationaux. Item 19, pages 56–58.
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- - - - - - - - -
[1] Inventory no. EIAD: 131
[2] Raghunath no.:
[3] Srinivasan & Sankaranarayanan no.:
[4] Tsukamoto no.:
[5] Lüders no.:
[6] Support : Buddha in stone, on the base
[7] (Faces:) Lines: 2
[8] H: 77.5
[9] W: 31.5
[10] D: 14
[11] H: 8
[12] W: 23.5
[13] Language(s): MIA
[14] Original locality: Ghantasala (?)
[15] Present locality: Musée Guimet 17850
[16] Primary bibliography: Japanese catalog
[17] Secondary bibliography: Amina Okada catalog
[18] Visual documentation:
[19] Substance of inscription:
[20] Remarks:
[21] :
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<p>Image <supplied reason="subaudible">gifted</supplied> by Cullā, female pupil of the <foreign>dharma</foreign> reciter Parabudhāyā.</p>
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<p>This is a rare inscription where the senior figure, to whom is attached a female donor as pupil (<foreign>antevāsinī</foreign>), is herself female. Indeed, the use of the feminine <foreign>dhammakathikā</foreign> is unique in our corpus. See also <ref target="DHARMA_INSEIAD00255.xml">EIAD 255</ref> and <ref target="DHARMA_INSEIAD00334.xml">EIAD 334</ref>; in the second case, the senior figure is marked as the donor’s preceptor (<foreign>uvajjhāyinī</foreign>), but she is herself a disciple of a senior monk.</p>
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<p>First described and edited in a Japanese newspaper called <hi rend="italic">Bukkyo times</hi> by Akira Sadakata, whose reading is cited (but without any diacritics or editorial apparatus) in <bibl><ptr target="bib:TobuNaraNagoyaNHK1998_01"/></bibl>. This digital edition by Arlo Griffiths & Vincent Tournier from our photographs and after autopsy of the stone.</p>
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Commentary
This is a rare inscription where the senior figure, to whom is attached a female donor as pupil (antevāsinī), is herself female. Indeed, the use of the feminine dhammakathikā is unique in our corpus. See also EIAD 255 and EIAD 334; in the second case, the senior figure is marked as the donor’s preceptor (uvajjhāyinī), but she is herself a disciple of a senior monk.