# Tiruvāvaṭutuṟai, Gomuktīśvara, label Emmanuel Francis Author of digital edition: Emmanuel Francis Identifier: DHARMA_INSTiruvavatuturai10141 Repository: Tiruvāvaṭutuṟai (tfa-tiruvavatuturai-epigraphy) File path: DHARMA_INSTiruvavatuturai10141.xml Language: Tamil [Grantha, Tamil] Commit: 2026-10-18 14:25 (53e5dee), last modified 2026-09-29 11:10 (f06f6c9) ## Summary Label inscription to the sculpture, which is immediately to the left of the inscription and represents a man worshipping a liṅga. ------------------------------------------------------------------------ ## Edition ⟨1⟩ svasti śrī tiru-naṟai⟨2⟩yūr-nāṭṭu ciṟṟāṭi-y-u⟨3⟩ṭaiyāṉ tāmaṉ A⟨4⟩malaṉ ↝ namaś śivāya ## Translation ⟨1⟩ Prosperity! Fortune! ⟨1–4⟩ ⟨This[1] is⟩ Tāmaṉ Amalaṉ, lord of Ciṟṟāṭi in Tirunaṟaiyūrnāṭu. ⟨4⟩ Homage to Śiva.[2] ## Commentary The labelled portrait is portrait 8 in Kaimal 1999 (p. 128 and fig. 9). ## Bibliography Reported in ARIE 1924–25 (ARIE/1924-1925/B/1925/141). This edition by Emmanuel Francis (2024), based on photos (EFEO, 2006; E. Francis, 2024) and autopsy (2024). ASI transcript and estampage, if any, yet to be consulted. ### Secondary ARIE 1924–25. Annual report on South-Indian epigraphy for the year ending 31st March 1925. Edited by G. Venkoba Rao. Calcutta: Government Press, 1926. Page 28, appendix B/1925, item 141. Kaimal, Padma. 1999. “The problem of portraiture in South India, circa 870-970 A.D.” Artibus Asiae 59, pp. 59–133. [1] That is, the man worshipping a liṅga represented in the sculpture, which is immediately to the left of the inscription. [2] Pace ARIE 1924–25, followed by Kaimal 1999, this appears not to be an alias of Tāmaṉ Amalaṉ, but a concluding blessing.