SII 14.50: original edition by A. S. Ramanatha Ayyar No. 50. (A.R. No. 323 of 1904.) KUḌUMIYĀMALAI, KULATTUR TALUK, (PUDUKKOTTAI STATE), TIRUCHIRAPPALLI DISTRICT. ON A PILLAR IN THE ROCK-CUT CAVE TEMPLE. author of digital edition Emmanuel Francis European Research Council (ERC), grant agreement no 809994 DHARMA Paris, CEIAS DHARMA_INSSIIv14p1i0050.xml 2019-2026 as per external metadata

This record (same as A.R. No. 238 of 1911), dated in the 2+1+1st year of the reign of Śaḍaiya-Māṟaṉ registers a gift of gold by Parāntaka-Adaḷaiyūr-nāḍāḷvāṉ alias Kaḍambaṉ-eṭṭi for burning a lamp in the temple of Tirumūlaṭṭāṉattu Mahādēva at Tirunilakkuṉṟam, a dēvadāna in Kuṉṟiyūr-nāḍu.

Further conversion of digital encoding to DHARMA encoding scheme according to EGD (Encoding Guide for Diplomatic Editions) Conversion of digital encoding to DHARMA encoding scheme according to EGD (Encoding Guide for Diplomatic Editions)

svasti śrī . koccaṭaiya māṟaṟku yāṇṭu 2 Itaṉeti rāṇṭi ṉetirāṇṭu kuṉṟiyū r nāṭṭut tevatāṉan tirunilak kuṉṟattu tirumulaṭṭāṉattu mātevar kku parāntaka Ataḷaiyūr nāṭāḷvāṉāyiṉa kaṭampa ṉeṭṭi nontā viḷakkoṉṟukku vaitta tuḷaippoṉ 7�ki Eḻukaḻañca rai . puḷḷaṅkuṭi yūrum parampaiyūrurārum rakṣai . Avaraṭi Eṉ talai melaṉa .

After line 10, there is another inscription which is dated in the 10th year of an unspecified Pāṇḍya king and registers another ṅift of ṅold by two persons of ṇeṉmali-nāḍu to the same temple for the expenses of conducting a festival therein.

These lines read:

yāṇṭu pattāvatu tirumūlaṭṭāṉattu perumāṉaṭikaḷukku neṉmalināṭṭu nākaṉ kuṭi kāṭṭu cāttaṉunte kaṇavatiyum vaitta poṉ kaḻañcu tiruviḻā Eḻu nāḷaikku .

Two fragmentary records are found near this inscription. They read:

A

kaṟ brahmateyattup pirāmaṇaṉ kaviciyaceṭṭi cirikaṇṭar tirumulaṭṭāṉattup perumāṉaṭikaḷukku nontā viḷakkoṉṟukku vaitta tuḷaippoṉ 9 10 Itu paṉmāheśvararakṣai .

B

pakal viḷḷkku tirumulaṭṭāṉattu pperumāṉaṭikaḷukkut tāḻi yāruraṉ vaitta tuḷaippoṉ

Digital edition of SII 14.50 (ARIE/1904-1905/A/1904/323) by converted to DHARMA conventions by Emmanuel Francis.

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