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                <title>SII 1.21: original edition by Eugen Hultzsch</title>
                <title type="alt">PART I. SANSKRIT INSCRIPTIONS. I. INSCRIPTIONS OF THE PALLAVA DYNASTY. Nos. 1 TO 23. THE PALLAVA INSCRIPTIONS OF MĀMALLAPURAM AND CĀḶUVAṄKUPPAM. Nos. 21 TO 23. INSCRIPTIONS AT ATIRAṆACHAṆḌEŚVARA TEMPLE, CĀḶUVAṄKUPPAM. No. 21. On the Southern Wall.</title>
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                        <forename>Emmanuel</forename>
                        <surname>Francis</surname>
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            <funder>European Research Council (ERC), grant agreement no 809994</funder></titleStmt>
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                <pubPlace>Paris, CEIAS</pubPlace>
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            <date from="2019" to="2026">2019-2026</date></publicationStmt>
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            <change who="part:emfr" when="2025-05-25" status="draft">Further conversion of digital encoding to DHARMA encoding scheme according to EGD (Encoding Guide for Diplomatic Editions)</change>
            <change who="part:mime" when="2025-05-06" status="draft">Conversion of digital encoding to DHARMA encoding scheme according to EGD (Encoding Guide for Diplomatic Editions)</change>
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                    <lb n="1"/>śrīmatotyantakāmasya dviṣadda
                    <lb n="2" break="no"/>rppāpahāriṇaḥ <supplied reason="undefined"><g ref="sym:bar" type="punctuation">.</g></supplied> śrīnidheḥ kāma
                    <lb n="3" break="no"/>rāgasya harārādhanasaṁginaḥ <g ref="sym:doubleBar" type="punctuation">.</g> <supplied reason="undefined">1</supplied>
                    <lb n="4"/>Abhiṣekajalāpūrṇṇe citraratnāmbujākare <supplied reason="undefined"><g ref="sym:bar" type="punctuation">.</g></supplied>
                    <lb n="5"/>Āste viśāle sumukhaḥ śirassarasi śaṁkaraḥ <g ref="sym:doubleBar" type="punctuation">.</g> <supplied reason="undefined">2</supplied>
                    <lb n="6"/>tenedaṁ kāritaṁ śambhorbhavanaṁ bhūtaye bhuvaḥ <supplied reason="undefined"><g ref="sym:bar" type="punctuation">.</g></supplied> kai
                    <lb n="7" break="no"/>lāsamandaranibhaṁ bhūbhṛtāṁ mūrdhni tiṣṭhatā <g ref="sym:doubleBar" type="punctuation">.</g> <supplied reason="undefined">3</supplied> bhaktiprahe
                    <lb n="8" break="no"/>ṇa manasā bhavaṁ bhūṣaṇalīlayā <supplied reason="undefined"><g ref="sym:bar" type="punctuation">.</g></supplied> doṣṇā ca yo bhuvandhatte
                    <lb n="9"/>jīyāt sa śrībharaściram· <g ref="sym:doubleBar" type="punctuation">.</g> <supplied reason="undefined">4</supplied> Atiraṇacaṇḍaḥ patiravanibhu
                    <lb n="10" break="no"/>jāmatiraṇacaṇḍeśvaramidamakarot· <supplied reason="undefined"><g ref="sym:bar" type="punctuation">.</g></supplied> Iha giritana
                    <lb n="11" break="no"/>yāguhagaṇasahito niyatakṛtaratirbhavatu paśupa
                    <lb n="12" break="no"/>tiḥ <g ref="sym:doubleBar" type="punctuation">.</g> <supplied reason="undefined">5</supplied> gurvvīmīśānabhaktiṁ śriyamatiśayinīṁ durvvahaṁ bhāramurvvyā
                    <lb n="13"/>nissāmānyañca dānaṁ samamati<unclear>ra</unclear>ṇacaṇḍākhyayā yo <unclear>bibhartti <g ref="sym:bar" type="punctuation">.</g></unclear>
                    <lb n="14"/>sthāne nirmmāpitesminvidi<unclear>taraṇa</unclear>jayakhyātinā tena <unclear>bha</unclear>rttā bhūtānā
                    <lb n="15" break="no"/>maṣṭamūrttiściramatiraṇacaṇḍeśvare yātu niṣṭām· <supplied reason="subaudible"><g ref="sym:doubleBar" type="punctuation">.</g> 6</supplied> A<unclear>nugra</unclear>śīla<supplied reason="omitted">ḥ <g ref="sym:doubleBar" type="punctuation">.</g></supplied>
                    <lb n="16"/>yadi na vidhātā bharato yadi na harirnnārado na vā skandaḥ <supplied reason="undefined"><g ref="sym:bar" type="punctuation">.</g></supplied> boddhuṁ ka Iva
                    <lb n="17"/>samartthassaṁgītaṁ kālakālasya <g ref="sym:doubleBar" type="punctuation">.</g> <supplied reason="undefined">7</supplied> Oṁ <g ref="sym:doubleBar" type="punctuation">.</g> samaradhanañjayaḥ saṁgrāmadhīraḥ <g ref="sym:doubleBar" type="punctuation">.</g> Oṁ <g ref="sym:doubleBar" type="punctuation">.</g>
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            <div type="translation" source="bib:Hultzsch1890_01">
                
                <p>(<hi rend="italic">Verses</hi> 1 <hi rend="italic">and</hi> 2.) Just as in a large lake filled with water which is fit for bathing, and covered with various lotus-flowers, handsome Śaṁkara (<hi rend="italic">Śiva</hi>) abides on the large head— sprinkled with the water of coronation and covered with bright jewels—of the illustrious <hi rend="bold">Atyantakāma</hi>, who deprives his enemies of their pride, who is a receptacle of wealth, who possesses the charm of Cupid, and who assiduously worships Hara (<hi rend="italic">Śiva)</hi>.<note>Verses 1 and 2 are identical with verses 8 and 9 of Nos. <ref target="DHARMA_INSSIIv01p0i0018">18</ref> and <ref target="DHARMA_INSSIIv01p0i0019">19</ref>.</note></p>
                
                <p>(3.) For the welfare of the earth, he, who stands at the head of the lords of the earth, caused to be made this house of Śaṁbhu (<hi rend="italic">Śiva</hi>), which resembles Kailāsa and Mandara.</p>
                
                <p>(4.) May <hi rend="bold">Śrībhara</hi> be victorious for a long time, who bears Bhava (<hi rend="italic">Śiva</hi>) in his mind which is filled with devotion, and bears the earth on his arm like a coquettish embellishment!<note>Identical with verse 4 of Nos. <ref target="DHARMA_INSSIIv01p0i0018">18</ref> and <ref target="DHARMA_INSSIIv01p0i0019">19</ref>.</note></p>
                
                <p>(5.) <hi rend="bold">Atiraṇachaṇḍa</hi>,<note>This name of the king, who built the temple, was also a <hi rend="italic">biruda</hi> of Rājasiṁha of Kāñchī.</note> the lord of the rulers of the earth, made this (<hi rend="italic">temple called</hi>) <hi rend="bold">Atiraṇachaṇḍeśvara</hi>. May Paśupati (<hi rend="italic">Śiva</hi>), attended by the mountain-daughter (<hi rend="italic">Pārvati</hi>) and the troop of Guhas, always take delight (<hi rend="italic">in residing</hi>) here !</p>
                
                <p>(6.) May the eight-formed lord of beings (<hi rend="italic">Śiva</hi>) for a long time take up his abode in this temple (<hi rend="italic">called</hi>) <hi rend="bold">Atiraṇachaṇḍeśvara</hi>, which was caused to be built by him, who, together with the name of <hi rend="bold">Atiraṇachaṇḍa</hi>, bears deep devotion to Īśāna (<hi rend="italic">Śiva</hi>), abundant prosperity, the heavy burden of the earth and unequalled liberality, and who is famed by the name of <hi rend="bold">Raṇajaya !</hi></p>
                
                <p><hi rend="bold">Anugraśīla</hi> (<hi rend="italic">the gentle-minded)</hi>.<note>This was also a <hi rend="italic">biruda</hi> of Rājasiṁha of Kāñchī.</note></p>
                
                <p>(7.) Who will be able to understand the music of <hi rend="bold">Kālakāla</hi>,<note>The same <hi rend="italic">biruda</hi> occurs in the Kāñchi inscriptions.</note> if it were not Vidhātṛi (<hi rend="italic">Brahman</hi>), Bharata, Hari, Nārada, or Skanda?<note>Compare the Kāñchi inscriptions, where Rājasiṁha's skill as a musician is alluded to by the <hi rend="italic">birudas</hi> Ātodyatumburu, Vādyavidyādhara and Viṇānārada.</note></p>
                
                <p><hi rend="bold">Samaradhanaṁjaya</hi> (<hi rend="italic">the conqueror of wealth in battle)</hi>.<note>The same was a <hi rend="italic">biruda</hi> of Rājasiṁha of Kāñchī.</note> <hi rend="bold">Saṁgrāmadhīra</hi> (<hi rend="italic">the firm in war)</hi>.<note>Compare the synonymous <hi rend="italic">birudas</hi> Āhavadhīra and Raṇadhīra in the Kāñchī inscriptions.</note></p>
                
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                <p>[[See]] <hi rend="italic">Madras Survey Map</hi>, No. 58. Carr's <hi rend="italic">Seven Pagodas</hi>, Plate xv, pp. 59, 120, 222. Nos. 2 and 3 of Plate xv are two independent eye-copies of the same inscription, viz., of that on the northern wall.</p>
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                <p>Digital edition of SII 1.21 by <bibl><ptr target="bib:Hultzsch1890_01"/></bibl> converted to DHARMA conventions by Emmanuel Francis.</p>
                
                <p>See revised edition by Emmanuel Francis (<ref target="DHARMA_INSPallava00064"/>).</p>
                
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