Kuṭumiyāmalai, musical inscription 1 author of digital edition Emmanuel Francis European Research Council (ERC), grant agreement no 809994 DHARMA Paris, CEIAS DHARMA_INSPallava00022.xml CC BY-SA 4.0 2019-2026 as per external metadata Musical notation.

Encoded in TEI/EpiDoc according to the DHARMA Encoding Guide for Documentary Editions, version 2

Creation of the file
Initial blessings

siddhaM namaḥ . śivāyaḥ .

Section 1

madhyamagrāme catuṣprahāra-svarāgamāḥ

[list of svaras displayed in columns]

Section 2

saḍjagrāme catuṣprahāra-svarāgamāḥ

[list of svaras displayed in columns]

Section 3

ṣaḍave catuṣprahāra-svarāgamāḥ

[list of svaras displayed in columns]

Section 4

sādhārite catuṣprahāra-svarāgamāḥ

[list of svaras displayed in columns]

Section 5

pañcame catuṣprahāra-svarāgamāḥ

[list of svaras displayed in columns]

Section 6

kaiśikamadhyame catuṣprahāra-svarāgamāḥ

[list of svaras displayed in columns]

Section 7

kaiśike catuṣprahāra-svarāgamāḥ

[list of svaras displayed in columns]

Coda 1

śrī-rudrācaryya-śiṣyeṇa parama -māheśvareṇa rajñā śiṣya -hitārtthaṁ kr̥tāḥ svarāgamāḥ.

Coda 2

Eṭṭiṟkum Ēḻiṟkum Ivai Uriya ḥ .

Initial blessings

Perfection. Homage to Śiva.

Coda 1

...

Coda 2

TheseThat is, the svaras just described. are appropriate for eight and for seven.

Coda 1

Disciple de Śrī-Rudrācārya, sectateur passionné de Maheśvara, le roi a composé ce traité sur les notes de musique, pour être utile à ses disciples.

Reported in (ARIE/1904-1905/A/1904/354).

Edited in (EI 12.28). Edited in (IPS 2). Text in (IP 22). Sanskrit text in (B 18). Text and translation in .

This partial digital edition by Emmanuel Francis, based on previous edition(s).

2 1-7 22 102-110 18 469-470 239-253 11 A/1904 354 2 TBC 3 3-10