K. 1621. Inscription from Prasat Tramoung, 11th century author of digital edition Kunthea Chhom intellectual authorship of edition Dominic Goodall Kunthea Chhom European Research Council (ERC), grant agreement no 809994 DHARMA Jakarta DHARMA_INSCIK01621.xml CC BY-SA 4.0 2019-2026 as per external metadata

The lettering is characteristic of the eleventh century CE.

Encoded in TEI/EpiDoc according to the DHARMA Encoding Guide for Documentary Editions, version 2

 Initial encoding of the inscription
ṅghri -pāṅsavo ’pahatāhasāḥ dikṣāla śikhaṇdākhaṇdakelayaḥ . Āsīd īśo ’vanīśānāṁ śrīndravarmmāśrayaś śriyaḥ sarvvakamvujarājendra -vaṅśenduśaradāgamaḥ . yatsaundaryyapayorāśi -nimajjanabhayād iva vāhanaṁ makaraṁ ramyam akaron makaradhvajaḥ . Ekārṇnavānurāgiṇyāḥ gaṅgāyāḥ venikeva bhūḥ veveṣṭyate vitatayā yasya kīrtyuttamasrajā . yāne rajo bhuje satvan tamo yo ripudarśśayan· sr̥ṣṭisthitidhvaṅsakaro reje dhāteva dehinām· . parāśareṇa janitā satyavatyuditā babhau kīrttir dvaipāyanasyeva jayaśrīr yyasya jājvalā . tasyolalītasat kila .

The dusts of the feet the entire sports/lands by the cleaning lock of hair/peacock’s tail removed laughter .

There was a lord of the lords of the earth, Śrī Indravarman, a recipient of glory, whose arrival/birth was the autumn for the moon that was the lineage of king of kings of the whole Kambuja.

As though iva because of fear of sinking into the ocean of Indravarman's beauty, the god of Love makaradhvajaḥ must have made the sea-monster makaraṁ his beautiful vehicle.

The Earth was thoroughly wrapped veveṣṭyate with the extensive excellent garland that was his fame, like one stream of Gaṅgā feeling love for the ocean.

Displaying dust/rajas in his military campaigns yāne, strength/sattva in his arms bhuje, darkness/tamas in his enemies, he appeared reje like the Creator, who creates, maintains and destroys embodied beings using respectively rajas, tamas and sattva.

His Royal Fortune jayaśrī shone blazing brightly like the glory of Dvaipāyana, born from Parāśara and appeared/ engendered in the womb of Satyavatī.

Preliminary edition by Dominic Goodall and Kunthea Chhom with English translation, from photographs of the stone.