K. 1364. Doorjamb of Prasat Toch, 7th century CE author of digital edition Kunthea Chhom intellectual authorship of edition Dominic Goodall Chhunteng Hun European Research Council (ERC), grant agreement no 809994 DHARMA Siem Reap DHARMA_INSCIK01364.xml CC BY-SA 4.0 2019-2026 as per external metadata

The lettering is characteristic of the seventh century CE.

Encoded in TEI/EpiDoc according to the DHARMA Encoding Guide for Documentary Editions, version 2

 Initial encoding of the inscription
jayatīndu-kalā-maulir īśānaḫ pārvatīpatiḥ brahma-viṣṇvādibhir ddevair yyasya liṅgaṁ samarccitam· śrīśānavarmma-nr̥patiś śrīnivāsa Ivācyutaḥ praṇamanti sadā yasya sāmantāś caraṇa-dvayam· tasya ho vallabho bhr̥tyaḫ pañca-grāmādi-bhojakaḥ dharmmī vahujayaś śūro ra ce sthitam·ḥ sya ti nāmataḥ bhaktyā ś śrīkalaśeśvare rūpyādi yo haret· ==ī pitr̥-vandhubhiḥ

Īśāna, husband of Pārvatī pārvatīpatiḥ, bearing a digit of the moon as his diadem indukalaamauliḥ, is victorious over all jayati, whose liṅga is venerated samarcitam by the gods devaiḥ, beginning with Brahmaa and Viṣṇu.

The king Śrī Īśānavarman is like Acyuta Śrīnivāsa [/is, as it were, unfailing (acyutaḥ) and the abode of Majesty (śrīnivāsaḥ)], whose pair of feet caraṇadvayam his vassal kings sāmantāḥ constantly sadā bow down before praṇamanti.

favourite of the king vallabhaḥ, his servant bhr̥tyaḥ, governor of Pañcagrāma and elsewhere pañcagrāmādibhojakaḥ, morally upstanding dharmī, a warrior śūraḥ .

by name with devotion bhaktyā to the liṅga called Śrī-Kalaśeśvara.

Whoever yaḥ should take away haret such possessions as along with his ancestors and relatives pitr̥vandhubhiḥ.

Preliminary edition by Dominic Goodall and Chhunteng Hun with an English by Dominic Goodall from the estampage AMPP 007565.jpg.