# K. 1174. Pedestal from Houay Sa Houa, Vat Phu (inscription of Citrasena-Mahendravarman), 6th century Śaka Kunthea Chhom and Gerdi Gerschheimer Authors of digital edition: Kunthea Chhom, Gerdi Gerschheimer Identifier: DHARMA_INSCIK01174 Repository: Khmer (tfc-khmer-epigraphy) File path: texts/xml/DHARMA_INSCIK01174.xml Language: Sanskrit [Khmer] Commit: 2026-11-14 14:32 (f68ac07), last modified 2026-09-17 01:54 (2c24a58) ## Palaeographic description The akṣaras are characteristic of the seventh century. ------------------------------------------------------------------------ ## Edition 1. Anuṣṭubh ⟨1⟩ ⟨Column a⟩ na(p)t[ā ś]r[ī-sārv]v[abhauma]sy[a] ⟨Column b⟩ sūnuś śrī-v[ī]r[a]va[r]mmaṇaḥ ⟨Column c⟩ śaktyā(n)ū(naẖ ka)[n]iṣṭho ’pi ⟨Column d⟩ bhrātā śrī-bhavavarmmaṇaḥ 2. Anuṣṭubh ⟨2⟩ ⟨Column a⟩ śrī-citrasenanāmā ya⟨Column b⟩ḫ pūrvvam āhata-lakṣaṇaḥ ⟨Column c⟩ sa śrī-mahendravarmmeti ⟨Column d⟩ nāma bheje ’bhiṣekajam· 3. Anuṣṭubh ⟨3⟩ ⟨Column a⟩ deva-bhūyaṅ gatasyāpi⟨Column b⟩n pituś śrī-vīravarmmaṇaḥ ⟨Column c⟩ nāmasmr̥tyai vr̥ṣam imaṁ ⟨Column d⟩ śilāmayam atiṣṭhipat· ## Translation into French 3. Il installa ce taureau de pierre à la mémoire / pour le souvenir du nom (nāma-smr̥ti) de Śrīvīravarman, son père allé / parti (gatasya) vers la divinité. ## Translation 1. Grandson of Śrī Sārvabhauma ⟨and⟩ son of Śrī Vīravarman, in spite of being the youngest brother of Śrī Bhavavarman ⟨he was⟩ not inferior in power. 2. He whose mark was well known (āhatalakṣaṇaḥ) previously by name Śrī Citrasena received Śrī Mahendravarman as a name created ⟨at the time of his⟩ enthronement. 3. He installed this stone bull for the memory of the name of his father, ⟨viz.⟩ Śrī Vīravarmman who had departed surely (api) to divinity. ## Commentary The first two stanzas of this inscription are identical to those of ten inscriptions, viz. K. 363, K. 496, K. 497, K. 508, K. 509, K. 1102, K. 1106, K. 1190, K. 1339 and K. 1340. The first stanza of this inscription is identical to that of inscriptions K. 1173 and K. 1341. ## Bibliography Preliminary edition by Gerdi Gerschheimer from the estampages EFEO n. 1700 and EFEO n. 1701.