Base at Po Nagar Temple in Nha Trang (C. 180), 1200 Śaka author of digital edition Arlo Griffths European Research Council (ERC), grant agreement no 809994 DHARMA Paris DHARMA_INSCIC00180.xml CC BY-SA 4.0 2019-2026 Socle at Po Nagar Arlo Griffiths

First digital edition made by École française d'Extrême-Orient (EFEO), realized in collaboration with the Institute for the Study of the Ancient World (ISAW) at New York University as The Corpus of the Inscriptions of Campā, in 2010-2012.

École française d'Extrême-Orient (EFEO) DHARMA_INSCIC00180

Copyright (c) 2012 by Arlo Griffiths.

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 as per external metadata C. 180

Encoded in TEI/EpiDoc according to the DHARMA Encoding Guide for Documentary Editions, version 2

revision of the file Campa file transformed to follow the DHARMA encoding structure. Metadata extracted to be checked and updated according DHARMA workflow. Done through XSLT. Photograph of the first face (A) of inscription . Taken by Nguyễn Văn Thích, in 2010. Reproduced by permission. Photograph of the second face (B) of inscription . Taken by Nguyễn Văn Thích, in 2010. Reproduced by permission.
* . pom̃ pu lyam̃ śrī Arddharāja pu cim̃ śrī harijita Urām̃ humā virān· manraum̃ paramarājaputra pu pom̃ tana rayā Inravarmma pu pom̃ ku . ra prakr̥ta Antargr̥ha racitanīryyūha vuḥ pak· yām̃ bhagavatī kauṭhāreśvarī samasta samāpta di Amvara-Amvara-yama-śaśadhara
* At the beginning of the inscription, remains are visible of the same quatrefoil liminal sign that we also find, for instance, at the beginning of C. 123. There appears to be sufficient space for a additional sign such as the one that precedes the quatrefoil at the beginning of C. 123, but no trace of it is visible on the photos at our disposal. kauṭhāreśvarīsamasta samāpta An indeterminate number of signs is blocked from view on the photo. Our restitution kauṭhāreśvarī is based on the inscriptions C. 30 A3, ll. 2-3 and C. 32, face A, ll. 1 and 2; the restitution samasta is inspired by the instance of the expression samasta samāsta that has been read in C. 22, face A, l. 16, although we must note that, following the EFEO estampage n. 1073, we propose to read there samasta samāpta, as in the present case.

His majesty the half-king, heir Śrī Harijita, man of Humā Virān Manraum̃, is the greatest son of the king P.P.T.R. Indravarman, my master. He has completed an inner house, built with projections/doors niryūha, and offered it to the venerable Lady of Kauṭhāra. All was accomplished in heaven-heaven-twins-moon (1200 Śaka = 1278/9 CE).

Sa majesté le demi-roi, héritier Śrī Harijita, homme de Humā Virān Manraum̃, est le meilleur des fils du roi P.P.T.R. Indravarman, mon maître. Il a achevé une maison intérieure, construite avec saillies/portes niryūha, et l'a offerte à la vénérable Dame de Kauṭhāra. Tout fut accompli en ciel-ciel-jumeaux-lune (1200 Śaka = 1278/9 de n. è.).

Half-king is a hyper-literal translation of arddharāja, a term that we do not find elsewhere in Cam epigraphy, although it is found in contemporary Javanese inscriptions (116 and 165).

The term antargr̥ha is attested three times elsewhere, namely in C. 92, face A, ll. 11 and 12. There it indicates an object made of sandalwood weighing 2 bhāra and 9 tul (i.e., between 100 and 500 kg in weight following the chosen standard). This object is decorated with gold and silver. In K. 470, a Khmer inscription dated from 1249 Śaka (188), one can read padmavitāna saṅkū phsam saṁrit nu saṁrap bhāra praṁpvan un dais en (argent) blanc et bronze avec accessoires pesant neuf bhāra (144). The fact that inscriptions C. 92 and K. 470 use the measurement bhāra, the near contemporaneity of the two inscriptions, and the literal meaning of antargr̥ha suggest that this latter word also refers to a kind of canopy. Concerning this type of construction in Cam monuments, see 111-113.

niryūha must be a kind of decorative addition, but the word does not appear elsewhere in the corpus and we are unable to propose a specific identification with certainty.

A summary of this inscription was presented by Claeys (). The present edition and translation after .

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