Doorjamb reused as lintel from Chợ Dinh in Phan Rang (C. 3.2), 1155 Śaka author of digital edition Arlo Griffths European Research Council (ERC), grant agreement no 809994 DHARMA Paris DHARMA_INSCIC00003_2.xml CC BY-SA 4.0 2019-2026 Lintel from Phan Rang Arlo Griffiths Amandine Lepoutre

First digital edition made by École française d'Extrême-Orient (EFEO), realized in collaboration with the Institute for the Study of the Ancient World (ISAW) at New York University as The Corpus of the Inscriptions of Campā, in 2010-2012.

École française d'Extrême-Orient (EFEO) DHARMA_INSCIC00003

Copyright (c) 2012 by Arlo Griffiths & Amandine Lepoutre.

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 as per external metadata C. 3 No. 89 Hà Nội BTLS-QG LSb 21164 Hanoi EFEO Museum B 2, 17

Encoded in TEI/EpiDoc according to the DHARMA Encoding Guide for Documentary Editions, version 2

revision of the file, splitting C0003.xml into two Campa file transformed to follow the DHARMA encoding structure. Metadata extracted to be checked and updated according DHARMA workflow. Done through XSLT. Photograph, with scale, of inscription . Taken in the Hanoi Museum by Arlo Griffiths on . Photograph of an EFEO estampage under n. 145 (1/3), showing the upper part of C. 3.1. Photograph of an EFEO estampage under n. 145 (2/3), showing the lower part of C. 3.1 and the left part of C. 3.2. Photograph of an EFEO estampage under n. 145 (3/3), showing C. 3.2.

* svasti * yām̃ pom̃ ku śrī jaya parameśvaravarmmadeva dunan· yaḥ senāpatī yām̃ pu rāmadeva pu pom̃ tana rayā nan· rajan· sthāpanā rūpa pak· yām̃ pov· ku svayamutpanna nī prayojana bhanaktī dadam̃n· kāla . śakarāja 1155 vuḥ kvir· 9 drim̃ syaṁ 22 drim̃ pukāṁ sā līmā n· lakiy· sā ṅan· kvir· Icauv· sā bhaṇḍāra glai trya drim̃ ñaum̃ mahendrapura . yām̃ nī nāma yām̃ pom̃ ku śrī patīśvara

kāla . Instead of a punctuation mark, one could read here the visarga sign, although the visarga in yaḥ in the previous line is very differently shaped. Moreover, an almost exact parallel in C. 92, face A, ll. 8–10 (urām̃ ya bhakti sadākāla ... ni prayojana samr̥ddhi bhanakti dadam̃n· kāla |, we have checked the text from the EFEO estampage n. 340) leads us to favor reading a variant of the vertical bar as punctuation. It also seems to offer, with urām̃ ya bhakti sadākāla man who is devoted at all times, a gloss of the expression bhanakti dadam̃n· kāla, found in those two inscriptions. tryā drim̃We initially read tryam̃ dri, but if we read anusvāra-candra on the second syllable, we at least obtain one known word. patīśvara Judging by the inked estampage, it would seem that there is a character between pa and tī, and indeed 989, has read Saratīśvara. But based on our inspection of the stone and of the photomrammetry, it rather seems that a character has been expunged here.

Hail ! Y.P.K. Śrī Jaya Parameśvaravarmadeva, while he was still dunan yaḥ? general, the illustrious Rāmadeva, this P.P.T.R. has carried out the installation of an image for Y.P.K Svayamutpanna, to the benefit of devotees at various times. In the year of the Śaka king 1155: he has offered Khmers, 9 persons; Siamese, 22 persons; a Paganese; a male elephant with a Khmer as master; a forest property trya; person-soak-Mahendrapura. This god is called Y.P.K. Śrīpatīśvara.

Salut ! Y.P.K. Śrī Jaya Parameśvaravarmadeva, alors qu’il était encore dunan yaḥ? général, l’illustre Rāmadeva, ce P.P.T.R. a effectué l’érection d’une image pour Y.P.K. Svayamutpanna, pour le profit des dévots à diverses époques. En l’année 1155 du roi des Śaka : il a donné des Khmers, 9 personnes ; des Siamois, 22 personnes ; un Paganais ; un éléphant mâle avec un Khmer comme maître ; un domaine de forêt trya ; personne-tremper-Mahendrapura. Ce dieu s’appelle Y.P.K. Śrīpatīśvara.

A few words were read by Bergaigne (), a gist of the contents was furnished by Aymonier (), and the inscription was discussed at some length by Jacques (), but the text was integrally published for the first time in (cited in ), whence the first digital edition by Arlo Griffiths & Amandine Lepoutre at The Corpus of the Inscriptions of Campā (2010–2012). The present revised digital edition by Arlo Griffiths makes use of the EFEO estampage n. 145 and new photogrammetry images acquired in 2024.

443-445 88-89 49-50 79-80 2 and 10 77 989-991 219-220